Fuu saves the bickering duo with some coconut bombs stashed in her kimono and the trio are off to find the sunflower samurai. Who that is or what he did, we don't know. Then it's misadventures galore as they travel the countryside running into gangsters, human trafficking rings and the like. Most episodes start with them being hungry and poor then getting mixed up with the local seedy element as they try to find work or cash to eat. A vibrant and well produced show, the opening and closing titles are beautifully rendered pieces of art with splash pages a la a James Bond movie. The music takes on a hip hop vibe and there's even a Psyche! thrown into a title card which cracked me up. Unlike American cartoons where characters fire guns and swing swords at each other with no blood or death, one of the shows signature traits is the quick and intense violent action scenes that showcase fist, feet and katana sword crime. The odd sense of humor in the pervy yet knowing Japanese style is another memorable trait from Fuu's extremely bouncing bosom that turn out to be bombs tucked into her robe to the local investigator we think is pleasuring himself in the bushes but is actually working out with a Shake Weight style apparatus. Episode 6 somehow manages to mix in an eating contest, reverse racism and a homosexual giant of a man from Holland who comes to Japan after reading a book on the similarities between the bond of samurai and male love. Pretty impressive.
Upon further inspection, Samurai Champloo comes from director Shinichiro Watanabe, who brought us the awesome space adventure western/noir/jazz fueled Cowboy Bebop. So it's no surprise that Samurai seamlessly blends historical events, modern music and attitude with old school samurai, swashbuckling mayhem. Samurai originally aired in Japan in 2004 and 2005 for 26 episodes before being brought to the states on Cartoon Network's Adult Swim.
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