As you all know, Sam Elliott is the man. The gravelly voiced dude with sweet hair and mustache from Shakedown, Road House, Tombstone, The Big Lebowski, We Were Soldiers, Hulk and many more is the epitome of cinematic cool and seems pretty chill in real life. Elliott is currently co-starring in the just released Netflix sitcom The Ranch with Ashton Kutcher, Danny Masterson and Debra Winger. I had seen a few blurbs stating that he and Winger were highlights of the comedy/drama series and several friends on Facebook seemed to be enjoying the show so we popped it on during a lazy Saturday. We were supposed to go see a few movies but after three weekends of gripping and ripping along with rainy weather, it seemed like the perfect day to kick back, eat a lot of food, drink a bit of whiskey and tear through a new series.
Created by TWO AND A HALF MEN's Jim Patterson and Don Reo, The Ranch starts at a modest (and very TV set looking) ranch in Colorado where high school sensation turned professional washout Colt Bennett (Kutcher) returns and starts helping out dad Beau (Elliott) and brother Rooster (Masterson). Son and father have lots of issues as Colt smoked, drank and screwed away every opportunity while Beau has been struggling making ends meet on the ranch for decades. Immediately the show is a strange mix of sitcom yuks and actual family/life drama with a bit of cursing thrown in that threw me off. You get bar owning mother Maggie (Winger) who is still married to and sleeping with Beau but lives on her own, to give the elder actors their own subplots. Then there's former along with current flames Abby (Elisha Cuthbert) and Heather (Kelli Goss) for Colt. The series basically hinges on Beau's old school macho man who won't accept help or consider other people's opinions and Colt's easy going and charming washout loser dynamic. Everyone in the cast does well for themselves but it's Elliott who drew me in as I would not be setting aside large chunks of time to watch Kutcher. As the cantankerous Beau, Elliott uses his gnarly voice and bitching mustache to full effect as he makes fun of modern convenience, fashion and food (Almond Milk is referred to as nut juice, Uggs are for women, etc.) and gets to say the F word a lot.
It's impossible to keep up with Netflix's original output so a semi low brow show with heart aimed at middle America starring multiple familiar faces really caught me by surprise. The show is set up like any sitcom whether it's Two and a Half Men or The Big Bang Theory with a few regular locations and the odd actual outdoor scene shot along a random side of a road. Randomly you get one episode appearances from the likes of Rex Linn (Cliffhanger), Thomas F. Wilson (Back to the Future) and Kutcher's former co-star Jon Cryer (sporting a clean bald head). All in The Ranch is an enjoyable 10 episodes where humor is usually hanging around sex jokes and guys getting hit in the nuts mixed with an unexpected amount of dialog focused on family dynamics, parenting, love and regret. Set on a ranch in Colorado, there's no jokes aimed at rural America but gives a fair glance at small town living, farming, animals, drinking and guns. You even have dinner at Cracker Barrel instead of some generic show hang out. There was actually a lot of clear but not oppressive product placement for Budweiser, Jameson, Muscle Milk, Ajax, Chips Ahoy and more which makes me wonder how much of the shows costs were covered by manufacturers. Apparently Netflix picked up the series for 20 episodes and will release the next 10 at a later date. From there we'll see if it's picked up for a second season and give the world more of what it needs, Sam Elliott being a and the man.
Oh how time flies. It just seems like yesterday that Marvel and Netflix announced their joint venture to bring Daredevil, Jessica Jones, Luke Cage and Iron Fist to the small screen. Daredevil shot in New York City between July and December of 2014 then premiered this past weekend with all 13 episodes dropping simultaneously. Early photos and teasers did little to boost confidence in the project as the black clad Charlie Cox seemed like not much of an update from Rex Smith's leotard from 1989's The Trial of the Incredible Hulk. The red suit kept being teased an on the eve of the premiere we got a glimpse of it's tactical and practical motif. Having been a fan of Daredevil in comics, in the Hulk TV movie and Ben Affleck's film version, I was pumped to do some straight Netflix'ing this weekend to see how things turned out. Marvel isn't dumb and Netflix routinely puts out superb original content so I was interested to see if they'd give audiences a slow burn crime drama disguised as a superhero show or a fast paced action hour that took itself a little too seriously.
Seven episodes in and it's great. A nice mix of humor, drama and action. Basically we follow the Daredevil mythos set up by Stan Lee and Bill Everett along with Jack Kirby from 1964. Young Matt Murdock pushes an old man out of the path of a runaway truck carrying toxic waste. The truck crashes, containers open and spill radioactive waste on young Matt who is blinded but gains hyper sensory and "radar" sense. His boxer father "Battling" Jack Murdock pushes his son to use his brains instead of his brawn and after not throwing a fight, Jack is killed, leaving young Matt all alone. Cut to today and Matt is a lawyer along with buddy Foggy Nelson and the duo have opened a law firm to represent those who can't afford expensive legal teams. By night Matt fights thugs and organized crime to save his city, working his way up to Wilson Fisk; a giant of a man looking to save Hell's Kitchen in just a totally opposite fashion than Matt. We see Matt as a bit of an eager pup who has a lot to learn about criminals, being a vigilante and taking on several highly organized crime syndicates more or less all at once.
The interactions between young Matt Murdock (Skylar Gaertner) and Jack (John Patrick Hayden) are particularly effective early on as "bum" Jack does everything in his power to take care of his son. Even at the detriment to his own life. Charlie Cox as the adult Matt is excellent as well; calm, odd and debonair with a lean yet beefy physique that looks capable of running around town fighting badguys but still able to hide under a suit and tie. Grown up Mighty Duck Elden Henson does a nice job of playing his less handsome and dashing friend and partner Foggy who half wants to go for the money but realizes helping others is important too. Vincent D'Onofrio's take on Wilson Fisk aka the Kingpin is a little sad yet menacing as we meet him in the surprising set up of a romantic relationship before watching him explode into mega violence on some gangsters. Deborah Ann Woll does a fine job as would be victim Karen Page who becomes Matt and Foggy's secretary and love interest while launching her own investigations on the side. It's nice to see Vondie Curtis-Hall (Die Hard 2, Broken Arrow) as tired but determined reporter Ben Urich but the biggest surprise for me was Scott Glenn (Vertical Limit, The Right Stuff, Backdraft) as ninja/teacher/mentor Stick. Showing up in episode 7, Stick is like an amped up version of Rutger Hauer from Blind Fury mixed with Sam Elliott from Roadhouse. He's a blind badass who kicks, flips and sword fights while imploring Matt to cut loose of friends and comforts to fight the war on crime that only a few in society can.
Action is pretty top notch in the show with a welcome use of wide angles and long shots showcasing something out of Oldboy mashing with The Raid. Only you get some flash and pizzazz in the forms of jump and spin kicks to go along with the brutality and cringe worthy injuries. Lots of falling through stuff and landing hard on the ground along with manipulated joints. I'm interested to see when the red suit comes in and his trademark billy clubs. There's 3 more shows lined up to follow DD with a possible 4th that combines them all. With Netflix not in the business of releasing view counts I guess we'll only know the show is a success when season 2 is announced. Now the question is do I push on through to finish the series or let it simmer for a few weeks and come back to? Ah #NetflixWorldProblems...
Screeching it's way to Netflix this past Tuesday is a flick I've been curious to see for quite some time, the Thomas Jane and John Cusack buddy-action-driving-comedy in Australia, Drive Hard. Directed by native low budget, big concept master Brian Trenchard-Smith, Drive Hard introduces us to Peter Roberts (The Jane) as he dreams of his previous life as a successful race car driver. After being woken up by his cute and sassy daughter, Peter hits the weights before getting into yet another argument with his lawyer wife who wants him to get a real job instead of chasing the pipe dream of opening a racing school. Making ends meet as a driving instructor, Peter's first client of the day is fellow American Simon Keller (permanently clad in black baseball cap and dark glasses John Cusack) who seems to know all about Peter's former adrenaline filled life. Turns out that Keller is about to rob a bank of bonds and needs a getaway driver so what better candidate than an unknowing citizen and former professional? The two then hit the Gold Coast eluding the banks armed mercenaries, police and federal agents while bickering, fighting and bonding amidst car chases, shootouts, old lady choke holds, rubber bullets and learning to respect oneself.
Based on a screenplay by Chad and Evan Law, director Smith and co-writer Brigette Jean Allen craft a quirky, funny and decently exciting piece of low watt direct to video fun. I was impressed by the opening CGI credits moving through an engine, as it was a sign of Drive Hard being more than your typical, shot in a couple weeks around Los Angeles action flick. Jane plays Peter as a goofy, lovable loser and has a nice, quick, funny yet tense back and forth dynamic with Cusack's intelligent professional thief with a grudge Keller. There's some solid car chase shenanigans post bank robbery with lots of real looking gags around the streets of Australia and some clever bits to show off Peter's driving skills. Things slow down a bit in the middle when the duo leave the luxurious and metropolitan coast line and head into the country. An unexpected and amusing run in with some crazy old people leads up to a final showdown with bikers hired by the bank to recover the stolen bonds. Of course by the end the two are semi buddy buddy and Peter has regained his daredevil flare that was put on hold to start a family. At times, Drive Hard plays like a piece of marketing for the department of tourism as there's lot of shots showing off the gorgeous beaches and glistening buildings then later the serene green and lush of the country. Jane and Cusack both get to shine as likeable and amusing characters while Trenchard-Smith's blend of off color humor and action suits the lightweight 95 minute romp.
