Good, Tough & Deadly Week: Read It!

Two San Diego Comic-Con's ago, a guy stopped me and asked, "you're that Van Damme guy, right?", referring to the Los Angeles screenings of Bloodsport, Double Impact and Universal Soldier I had set up with the likes of Sheldon Lettich, Brian Thompson, Harrison Page, Joey Ansah, Craig Baumgarten, Darren Shahlavi and Dolph Lundgren in attendance. Answering in the affirmative, David J. Moore introduced himself and from there we have enjoyed a terrific #ActionMovieBro dynamic that has traversed meals, conventions, screenings and premieres. A prolific writer for magazines of all genres, Moore had just released his first book, World Gone Wild: A Survivor's Guide to Post-Apocalyptic Movies that encapsulated nearly 1,000 reviews and dozens of cast and crew interviews. Now deep into a one of a kind look at action movies and films, Moore recruited me to provide a few last minute reviews as well as my Q&A turned print interview with Carl Weathers.

On Tuesday I received a copy of The Good, the Tough & the Deadly: Action Movies & Stars 1960- Present, from Schiffer Publishing. Published author could now be checked off my imaginary list of life accomplishments and/or goals. What struck me immediately was the size and heft of the tome that includes around 1,500 reviews and 80 some interviews. The hardcover art is gorgeous and inside are glossy pages and color photos galore. Moore's introduction sets up the parameters of the book, this being a guide of action stars who came from an athletic or professional background. So Arnold from bodybuilding, Jean-Claude Van Damme from karate, Carl Weathers, Jim Brown and Fred Williamson from football and Steven Seagal from Aikido, etc. Or actors generally identified by the action genre a la Charles Bronson and Sylvester Stallone. That means titles from the likes of big screen favorites Bruce Willis, Kurt Russell and Mel Gibson are not included. Moreover, I saw it as a study of the new type of action hero that emerged from the 1980's where Arnold and Sly were kings with JCVD and Seagal their eager successors. The type of larger than life hero who cut through red tape, took on an army of bad guys and got the job done. Usually while branding a machine gun, tossing a one liner or using their hands and feet to dispatch all enemies in bone breaking or face mashing fashion. While acting talent and charisma would be fairly overlooked in favor of muscular and hyper developed physicality.

In the 80's and 90's, Cannon Films and Carolco helped usher in the age of international box office while capitalizing on burgeoning home video revenue. While the four kings of action ruled theaters, less expensive alternatives, many from the worlds of kickboxing, bodybuilding and martial arts like Don "The Dragon" Wilson, Michael Dudikoff, Roddy Piper, David Bradley and Oliver Gruner could have their names above titles and faces brandished across posters and VHS boxes around the world. Good, Tough and Deadly is a study of these films; the muscles, machine guns and VHS era. Along for the ride with Moore are half a dozen contributors who produced nearly 1,500 reviews and conducted 80 interviews. Subjects range from golden age stars like Weathers, Lundgren and Wesley Snipes to writer/directors including Sheldon Lettich (Double Impact, Rambo III) and Craig Baxley (Action Jackson, Stone Cold) to PM Entertainment's once prolific Joseph Merhi. Modern age filmmakers like John Hyams, Jesse Johnson and Isaac Florentine along with stars Scott Adkins, Tony Jaa and Michael Jai White also get their light.

As a total 80's and 90's kid, I can certainly recall seeing VHS covers with Billy Blanks, Jeff Wincott, Gruner and more but never taking the plunge since I was catching up on JCVD or Seagal titles I couldn't see in a theater. And let's be honest, there's a reason why talent rises, they've got the IT factor Hollywood can't produce but loves to exploit. Don Wilson might be a more accomplished kickboxer than Van Damme but he's sure not as interesting to watch. So reading reviews and the thoughts of so many B-level stars without much knowledge of their work was interesting. No Retreat, No Surrender 2's Loren Avedon comes off as a bit egotistical, even when talking about being broke by 2000, eating crow and going from headlining low budget martial arts flicks to doing stunts anywhere he could. Or Gruner, a French Special Forces soldier and champion kickboxer turned low rent movie-star in the likes of Angel Town and Nemesis, thinking he should have been in The Expendables along with half a dozen stars who actually had theatrical careers.

Moore's style of interview gets subjects to open up about the triumphs of becoming a working actor and action star, the harsh realities of the business and what happens when your shelf life expires. Creative control and lack thereof is a constant cause of retiring, along with the fact that the video market simply dried up so there was no use in denying it. Bruce Lee is a frequent inspiration and for the younger guys, it's Jean-Claude Van Damme. Experiences with, observations of and basic example being elevates JCVD to enigma status and rightfully so, he's a force of nature. Reviews are generally two paragraphs, one to set up the story and cast and the other to state opinion. Some of my contributions were for Bruce Lee's The Chinese Connection and Van Damme's Timecop. After an off and on marathon of skimming reviews and reading interviews, I finished The Good, the Tough and the Deadly, cover to cover, late into last night. I'm extremely happy and proud to have been invited to the party and contribute. Thank you, David. I'm also excited that it was the #1 New Release on Amazon for Film/TV books! Keep laughing and lifting, or alternatively, keep punching and pumping.

Biehn Scene: Deep Red

From the Dammaged Goods VHS library comes 1994's Deep Red, a science fiction action noir flick starring Michael Biehn. Written by D. Brent Mote and directed by Craig R. Baxley, Red has the distinction of being then Sci-Fi Channel's first original movie. The film opens similar to Predator as an alien vessel soars across starry space and heads towards earth. But down here, the ship is actually tiny in scale and crashes into young Gracie (Lindsey Haun), effectively infecting her with Deep Red. The alien substance provides healing ability and possible immortality. Gracie is thrust into danger as mad scientists wish to exploit the power and come after her. Enter burnt out private detective Joe Keyes (Biehn) and his ex-wife Monica Quik (Joanna Pacula) as they set out to protect young Gracie. For a straight to TV genre flick, Deep Red contains an excellent cast, surprisingly large scale action and a tone that's noir meets The Terminator.

Biehn plays haunted former police officer Keyes who is thrown into the deep end protecting Gracie against seemingly super powered thugs. Moody lighting and lengthy shots accompany voice-over discussing good and evil as Biehn is a cashed out non-believer who eventually comes around. Perennially sweating with a cigarette dangling from his mouth and disheveled hair, Biehn digs back into his bread and butter as the wounded action hero lead. By the early 90's, stunt man, driver, choreographer and coordinator Craig R. Baxley had already worked with the likes of Warren Beatty, Joel Silver, Walter Hill and John McTiernan providing explosions and fights for The Warriors, Predator and TV's The A-Team. With feature directing credits under his belt including Action Jackson and I Come In Peace; Baxley carved out a niche as a guy who could deliver an exciting, action packed and familiar face filled flick on a budget.

Baxley chimed in for the writing of this article, lamenting that Deep Red "wow, was a couple years ago" and it was the "first in house movie made for the Sci-Fi channel". Baxley worked with then President of Universal Cable Division Barbara Fisher and signed on. When asked who he saw as the lead, Baxley suggested the sensitive yet physical hero of The Terminator and Aliens, Michael Biehn. Fisher didn't think they could get Biehn interested let alone afford him. Baxley recalls, "I took it upon myself to call him on on the set of Tombstone and after a brief conversation had his commitment".  Deep Red featured plenty of character faces like Tobin Bell (Saw), Joanna Pacula, John de Lancie (Star Trek: The Next Generation) and John Kapelos (The Breakfast Club). The film was shot around LA in 20 days with no second unit on a budget of just under $3 million. Baxley states "I tried to give it a film noir look as well as the feel of a Sci-fi action flick. We didn't have the budget to do the action but I think we actually pulled it off." Like many of Baxley's efforts, the action ranges from physical dust ups (Biehn gets tossed around an office), gun exchanges, pretty Damme big explosions and some chases. Under Siege and Double Team's Gary Chang provides the ambient and kinetic score.

Deep Red debuted on Saturday, March 12th of 1994 as a Sci-Fi Channel Planetary Premiere before hitting VHS in June. Biehn would go on to star in the massive NBC mini-series Asteroid in 1997 before headlining The Magnificent Seven for two short seasons while popping up on the big screen opposite Sean Connery and Nicolas Cage in The Rock. In 1996, Baxley directed Twilight Man, the first in house movie for Starz before adapting several Stephen King works as event mini-series. Writer D. Brent Mote would reteam with the rebranded SyFy Channel in 2009 for 5 seasons of quirky action on Warehouse 13. SyFy would make Saturday night original films a staple of their programming to various degrees of success and quality. Most were budgeted around $1 million and embracing the low budget, campy quality, the likes of Eric Roberts, Lance Henriksen, Dean Cain and Kevin Sorbo fought off zombies, dinosaurs, abominable snowmen, giant snakes and blobs of ooze. In recent years their Sharknado series struck social media gold while I can't say I've seen one.

Ask Me a Question: Carl Weathers Night

Honestly, this post could be called Predator & Action Jackson reunion night as we had so many people in attendance who worked on both of tonight's films.  To spice up the evening, I secured author David J. Moore to appear in the lobby talking to attendees about his work covering action, horror and genre movies, his recently published book on post-apocalyptic films World Gone Wild and his next literary effort, a guide to action movies.  We also had Shannon Shea from Stan Winston's Studio set up with tons of behind the scenes photos and some video he shot during the production of Predator.  Was crazy to hear how the guys working on the Predator suit were all in their early 20's and younger, how it was crisis mode all the way for the 5 weeks they had to prep and get down to Mexico to shoot.  Mechanical Designer Richard Landon joined Shannon while Mr. Carl Weathers, stunt coordinator and director Craig Baxley, editor Mark Helfrich and a slew of stunt guys who worked on both films mingled and reunited in the Egyptian Theatre's lobby.

Mark Helfrich was cool enough to provide his original crew jacket from the then titled, The Predator, to give away as a prize.  I got to chat with Mr. Helfrich out in the lobby for a few minutes and he was just an awesome, funny guy who has shaped memorable flicks like Revenge of the Ninja, I Come In Peace, Rambo: First Blood Part II and all of Brett Ratner's films.  Weathers, Baxley and everyone who worked on Action Jackson signed a VHS copy that I gave away as another prize.  The house lights went down and it was time for 1987's Predator.

This is the 2nd or 3rd time I've seen it on the big screen and tonight's digital print looked absolutely beautiful.  The spaceship drop off, the incoming choppers, the quick introduction of the Arnold Schwarzenegger led military squad all set to Alan Silvestri's pounding, memorable score and Carl and Arnold's epically macho handshake make for one of the greatest openings in cinema history.  Even though I had watched it at home recently to prep, seeing it on the big screen with big sound highlighted how quickly the film moves.  The John McTiernan directed film is full of iconic scenes from the handshake, to the helicopter ride and sexual tyrannosaurus talk, finding the mutilated bodies in the chopper wreckage to the huge end to Act I's assault on the complex sequence.  Man I did not realize how much carnage there is in that sequence between the rolling truck with a bomb in the back, machine guns, grenades, explosions, bodies flying, projectile machetes, wow.  Baxley has always shot incredible action in camera and for the first time I noticed Carl Weathers running through a scene with an explosion going off behind him and flames all around, all real.

After the flick, I took to the mic to introduce our special guest of the evening, Mr. Carl Weathers. Who I should note had just been so great through the whole process of getting this night going.  Just a kind, easy going, funny and smart guy.  It's odd, being up there, I honestly don't remember everything we talked about as I was worried about not looking stupid or asking dumb questions (which I ended up doing anyway...), boring the audience, etc.  But I love Carl's work and had done my homework so our discussion just flowed naturally.

- Acting bug bit him from a young age, stage plays through high school and majored in Theater but girls loved the football player so he went down that route.
- Never had a problem balancing acting and athletics, just did things his own way, once he latched on to something, just went after it with everything he had.
- Landed in Los Angeles looking to play for the Rams but ended up in Oakland with the Raiders then Canada, always wanting to get back to L.A. because that's where the acting jobs were.
- Didn't really struggle much once focused on becoming a professional actor, landed 10's of episodics on television then Rocky.
- Rocky audition, just lots of huge guys around but Weathers was chomping at the bit and the producers were having trouble filling the role.
- Knew it was something special early on, during production, told everyone it was going to be huge.  - Met Mark Hamill who had just come off of Star Wars who had a feeling his flick was going to be big as well.
- Got a call from manager that Rocky II was happening, says he made 15 cents on first, made a dollar on the second, it was a nice paycheck.
- Predator came onto his radar through his talent agent who said producer Joel Silver really wanted to meet him, read script but just wasn't there, character didn't even have a name.  Met Silver who said they wanted him and would make it what he wanted.  Met with writers who took his notes.
- Dillon wasn't even named in the script, came up with Marshall Dillon because it was just a "macho ass name".
- Gives props to Arnold and everyone involved for delivering solid performances, McTiernan being so talented behind the camera.
- Arnold had a gym brought down to Mexico so would use that before getting on the bus out to location, sometimes at 4:00 AM.
- The whole cast was so bent but he was the straight guy, had a lot of fun.  Totally ridiculous on and off set, lots of tequila involved.

- At this point, someone yelled from the audience and it was cast member Richard Chaves!  Who played Poncho in the film.  This was totally unplanned but just added to the evening's reunion feel.  Everyone in attendance had nothing but love for each other.
- Chaves says Weathers saved his life but wasn't that macho as on set. Watched for 3 months as Weathers took care of a little bird and fed it using an eye dropper each day.
- Handshake came from having these two physical characters reunited and how they would interact, had a little beef that Arnold got the angle to show off his bicep but I told Carl I could see his pumped, vascular forearms.
- Craig Baxley joined us at this point and I asked about the infamous assault on the complex scene and keeping actors safe among all the Boom Boom Boom.
- Sequence originally scheduled for 3-4 weeks of shooting but production was running out of money. Joel Silver told Baxley he had 6 days and would be given the full cast.
- Jim and John Thomas had written a terrific scene that Baxley rewrote to fit the schedule with their blessing and got it done.

- I asked about the young, unknown, Jean-Claude Van Damme working as the original creature. Weathers remembers JCVD was one of the most ambitious people he had ever met and was constantly talking about becoming a movie star.  Wanted to do some kickboxing in the suit because that's what he was good at.
- Baxley recalled seeing JCVD coming down a hallway with a 10 person entourage, called out to Joel Silver and jumped in the air, doing a 6 foot full split.
- Van Damme didn't tell anyone he was claustrophobic so when he put on the $10,000 creature head for the first time, he shuddered, pulled it off and threw it to the ground, breaking it.  Joel Silver fired him on the spot and uttered the famous line, "you'll never work in this town again!"  Which you know, wasn't true.
- Weathers works out more as an actor than as an athlete.  Actors have nothing to do between jobs so just got into pumping iron, worked out with Vince Gironda for years who had a tiny gym filled with tons of equipment and approached bodybuilding as sculpture.

- Action Jackson came from Weathers and Joel Silver talking about blaxploitation films on set.
- Title came from an Australian crew member then Weathers went off to flesh out the story of a cop after a high profile businessman villain, started with the name, Jericho "Action"Jackson.
- Many stunt performers from the film were in attendance and Baxley gave them all a shout out.
- Baxley has ghost directed lots of films, had just come off of 5 years of The A-Team on TV and worked with likes of Warren Beatty and Walter Hill.
- Had 3 weeks to prep 32 day shoot, 5 days of 2nd Unit, Silver gave them carte blanche as he was more concerned about getting to know Sharon Stone.
- Made huge profit for Lorimar Film division, among their top earners.

More and more was talked about of course but I don't want to bore you.  I took one question from the crowd and it was my mistake not to preface it with "a succinct and good question" as the asker went on for a bit after we had already been talking for at least 45 minutes, still had a signing and another film to screen.  So apologies to anyone who didn't get to ask a question as lots of hands went up.  Weathers took to the lobby to do a quick signing and photo session.  Was great to see the enthusiasm of the fans who all wanted a Predator shake or fists up Rocky photo.  A surprising amount of Action Jackson DVD's, laser disks and the like showed up as well.

It's hard to process these things as they happen but it was a great night with so many wonderful people in attendance.  Lots of total strangers congratulated me on a job well done so I'll take it where I can get it. Big thanks to the American Cinematheque for having us, Grant and Christian for their support and guidance, Oliver for getting everything set up, Carl for being such a great guest, Craig Baxley, Mark Helfrich, Shannon Shea and everyone who worked on the films for being so cool and approachable, friend and photographer Jeremy for documenting, Dammaged Goods supporters Tammi, Tim, Anna and Phil for working the crowd and of course any of you who attended, I hope you got one of the custom shirts.

Until the next one...

(Almost) Ask Me a Question: Predator & Action Jackson

We're just over a week away from Carl Weathers night at The Egyptian Theatre where we'll be getting a double dose of 80's macho madness with Predator and Action Jackson on the big screen.  Mr. Weathers recently met with the wonderful Susan King from the L.A. Times for a piece which should be hitting early next week.  In addition to the usual pre-movie trivia, prizes and custom tee shirt giveaway customary to Dammaged Goods nights, I'm excited to announce that Predator Second Unit Director/Stunt Coordinator and Director of Action Jackson, Mr. Craig R. Baxley will be joining us to help introduce the films!  A third-generation filmmaker, Baxley has worked since 1971 as a Stunt Man, Driver, Coordinator and Director with such talents as Walter Hill and Warren Beatty on films ranging from The Warriors to Reds.

Before embarking on the tough, Mexican jungle location shoot of Predator, Baxley worked on long running action series The A-Team for it's 97 episode duration.  His first feature film credit as Director would be 1988's Action Jackson, the story of Detroit's Jericho Jackson, a police lieutenant who got busted down the ladder after nearly tearing the arm off a sexual offender whose dad just happens to be a high ranking automotive executive rubbing out the competition.  The flick starts off with some truly impressive stunts like a guy being set on fire, thrown through a window and falling from the top of an office building.  It's not only about the physical though as the flick is pretty funny and has a terrific supporting cast like Robert Davi as a strung out old friend, Sharon Stone as a trophy wife, singer Vanity as a drugged up singer, Back to the Future's Thomas F. Wilson as a smartass street cop, Bill Duke as Jackson's stern yet never shouting Captain and a surprisingly menacing Craig T. Nelson as villain Peter Dellaplane to make for a crazy and fun action flick when a hero could do a standing somersault over a speeding car.  Action fans will also spot familiar Asian dudes Al Leong and James Lew crashing into and kicking things.

Baxley's next directorial effort was 1990's cult hit I Come In Peace aka Dark Angel starring Dolph Lundgren, which is one of my all time favorite films.  How can you not love a flick about an alien drug dealer in Houston who gets people high on heroin then sucks endorphins out of their brains?!  Dolph plays a tough cop who does things his own way teamed up with a square, rule abiding FBI agent.  Together they mix it up with former decathlete Matthias Hues as the alien drug dealer through karate, gunplay, car chases and lots and lots of explosions set to Jan Hammer's awesome synth score.

After director Bruce Malmuth burned through half the budget of football star Brian Bosworth's film debut, Stone Cold, in just weeks, Baxley was called into finish the shoot.  What started as an attempt to be more than the typical one man army action flicks of the day, Heart of Stone was the story of a family man forced into going undercover to bring down the biker gang that killed his father.  There was a wife and kids and Malmuth spent 4 weeks shooting character scenes.  When said scenes weren't matching up and the budget dwindling, production was halted, Malmuth got the boot and Baxley came in to shoot stunts and explosions.  Already over budget and behind schedule, the family subplot was cut out and Stone Cold, a ridiculously fun if not intellectually challenging action cult classic, was born.  In the flick, Bosworth plays a macho yet funny cop who has a pet lizard and goes up against sneering and scary biker baddies Lance Henriksen and William Forsythe.  The flick struggled upon release but ended up one of the top selling titles on VHS for the year.

Also in my VHS collection is Deep Red, a made for TV sci-fi/noir/action flick from 1994.  Michael Biehn stars as burnt out private investigator Joe Keyes who gets caught up protecting a young girl infected with Deep Red, an alien substance that may or may not grant immortality, from an obsessed scientist.  It's reminiscent of The Terminator but given a moody and more sci-fi attitude as Baxley delivers a cool little flick that blends genres, complete with aliens fighting space prologue, Michael Biehn introspectively questioning the meaning of life and then using a flame thrower. 

From there, Baxley has directed volumes of television episodes, movies and mini-series including several based on the works of Stephen King.  Looking forward to hearing about his incredible career and working with Carl.