Beyond Fest 2016: Dog Eat Dog w/ Paul Schrader & Nicolas Cage

Now in it's fourth year, Beyond Fest has become America's largest genre film festival with 10,000 plus attendees and more than 30 films screening, many making their west coast premiere at the Egyptian Theatre in Hollywood. Writer and director Paul Schrader's violently funny crime flick Dog Eat Dog kicked things off with a sold out night and Q&A with the legendary filmmaker along with star Nicolas Cage. The scribe of The Yakuza, Taxi Driver, Rolling Thunder, Raging Bull, Bringing Out the Dead and many more was insightful and amusing speaking about how Dog Eat Dog came to life after working with Cage on The Dying of the Light, a film taken away from the filmmakers with a released version the director and star were not proud of. DED follows three crooks in Ohio as they plot a kidnapping job to set them up financially for a while. Of course things go bad, people get dead, Cage effects a Humphrey Bogart accent, drugs are taken and Willem Dafoe shows he's still one of our greatest actors working today as a scuzzy yet likeable con.

After the film, Schrader spoke about how making the film quickly and cheaply created a kinetic energy compared to the old days where having more time and money just meant sitting in a trailer doing drugs. Schrader also had some interesting views on film history, speaking about people who made the rules, those that challenged them, those who broke them then filmmakers today who don't have any rules and can have a scene influenced by Kurosawa, Hitchcock, Spielberg, Tarantino or Bay in a single film. Originally a film critic, Schrader used writing as a form of therapy and after four outings with Martin Scorsese, had the guts to walk away and not become "his writer". Cage chimed in, always being a Schrader fan and used Andy Warhol as a metaphor for his acting. As in if an artist can present versions of a can of soup or celebrity, why can't Cage as an actor channel Elvis, Adam West or Bogart for a performance? A little subdued and not trying to take the light, Cage still came off intelligent and funny and would do well with a one man show, methinks.

Ask Me a Question: The Nice Guys w/Russell Crowe, Ryan Gosling, Shane Black & Joel Silver

Leave it to The Alamo Drafthouse to put on an epic sneak preview of one of my most anticipated flicks of the summer, The Nice Guys! Yes, this screening took place a couple of weeks ago but I've been frigging busy, ok? I believe a press embargo is still in place but let's just say that the Shane Black directed and co-written tale of a private eye (Gosling) and bruiser (Crowe) investigating a missing persons case involving a soft core porn star with implications of government cover ups is a great time at the movies. Part comedy, pulp noir novel, buddy flick, action movie and physical gags, The Nice Guys is a fun and R rated time at the movies with a couple of well known actors who share fantastic chemistry. Gosling and Black were first announced then joined by Crowe and super producer Joel Silver. A few highlights from the Q&A:

- Russell Crowe needs more EQ in his microphone to sound heroic.
- Black wrote the script with writing partner Anthony Bagarozzi back in 2001, went from modern times to 70's in between and Joel Silver championed film the entire journey.
- Took so long as Black would work on Kiss Kiss Bang Bang, go uncredited on Iron Man then be drafted to write and direct Iron Man III.
- Gosling signed on as Black jumped on a plane to Russell Crowe's home in Australia to pitch the Oscar winner. Crowe saw a list of contemplated co-stars and thought it didn't fit into his view of what the film would and could be. As an actor, Crowe chooses projects by narrative and character and was prepared to cook Black a steak, make him a cocktail then turn the movie down.
- Black showed up, doesn't drink anymore as he's "allergic to alcohol, I break out in handcuffs", then told Crowe that Gosling had signed on leading Crowe to agree.
- Film was shot in Georgia and Los Angeles, it was cold in Georgia.
- Gosling would crack Crowe up constantly leading Silver to chide them one night when they had shut down Sunset Boulevard. Which is pretty expensive apparently.
- Asked about stunts, Crowe responded classically something along the lines of, "I'm an old man that has given his life to cinema, whatever I have left, is yours". While Gosling's stunt double had been stabbed fully in the chest on the set of Fury but reported to set ready to go, the star stepped up and decided to fall through a window in his place.
- Crowe is all about social media and Tweeted during the sometimes awkward Q&A as the moderator tried to find questions from Alamo's Twitter.
- Warner Brothers wants Crowe and Gosling to be more engaging on social media as they open against Angry Birds, Gosling stated they were the angriest birds you'd ever see.

On and on it went, the panel was totally hilarious and seemingly didn't give a f*ck. Crowe dominated with his intelligent yet kind of @$$hole that knows he's an @$$hole personality. Black we've seen in person before who is just as witty and funny as you could ask for from a writer-director. Gosling was generally kind of quiet but weirdcool while Silver chimed in appropriately to give you a little behind the scenes of filmmaking. A terrific night and I hope you check out the movie.

(Pre)miere! The Nice Guys

Besides Captain America: Civil War, Shane Black's 70's set buddy action-comedy The Nice Guys is my most anticipated summer flick. Now thanks to our friends at The American Cinematheque and Alamo Drafthouse, you can win tickets to a sneak preview of the film this Wednesday, May 4th at The Egyptian Theatre in Hollywood! Writer/director Shane Black along with co-star Ryan Gosling are scheduled to attend for Q&A! Co-written by Anthony Bagarozzi, The Nice Guys finds Ryan Gosling as down on his luck Hollywood private eye Holland March as he teams up with hired enforcer Jackson Healy (Russell Crowe) to investigate a missing persons case and death of a porn star before uncovering a wide reaching conspiracy. The trailers are terrific with a mix of laughs and violence while Gosling and Crowe's chemistry looks like a winner. The duo have been participating in a series of hilarious couples therapy skits to promote the film which hits theaters on Friday, May 20th.

This is a members screening with no tickets being sold. The Cinematheque holds exclusive early screenings frequently so sign up and support cinema on the big screen as it's meant to be seen.

*All tickets have been claimed, thank you for the enthusiastic response* For your chance to win tickets to Wednesday's 7:00 PM show, e-mail Dammaged Goods, winners will be notified by Wednesday morning with tickets left at the box office.

Shane Black burst onto the 80's cinematic scene scripting 1987's classic Lethal Weapon and co-starring with Arnold Schwarzenegger in Predator the same year. From there Black became Hollywood's highest paid screenwriter for the likes of The Last Boy Scout and The Long Kiss Goodnight. In 2005, he wrote and directed Kiss Kiss Bang Bang co-starring Robert Downey Jr., who drafted Black to do some uncredited work on 2008's Iron Man before taking the reins for part III in 2013. Ryan Gosling has been performing for the camera since childhood, starting as a Mouseketeer before seguing into stints on Breaker High and Young Hercules. 2001's The Believer put him on the map as an actor before The Notebook made him into a meme and heartthrob. Subsequent roles in edgier and quirky fare like Half Nelson, Lars and the Real Girl, Blue Valentine, personal favorite Drive and recent awards contender The Big Short have provided both critical and box office success. Plus he seems like a funny guy so should be a good Q&A.

Cinematic Roundup: Dolemite, Robocop, The Terminator, The Rock, Raiders & More!

There are a lot of great frigging movies playing in Los Angeles this week. And I'm not talking about new releases The Boss, Hardcore Henry or Demolition. I'm talking repertory screenings across town, retrospectives and one killer triple feature. Starting last week, UCLA has been honoring prolific producer Jerry Bruckheimer with a month-long film festival, The Heat Is On, with screenings of Top Gun, Enemy of the State and Pirates of the Caribbean. This Saturday you can catch testosterone fueled 90's classics from Bruckheimer and director Michael Bay with The Rock and Armageddon. The Rock was one of my favorite movies growing up but I've never seen it on the big screen. Sean Connery, Nic Cage, Ed Harris and Michael Biehn all shine in the violent roller coaster ride that was a hit in '96. A supposed sequel featuring Cage's bio-chemist turned man of action was announced but never produced.

Over in West Hollywood, you can catch cinematic O.G. Harrison Ford in his prime at The New Beverly for Raiders of the Lost Ark, playing Friday and Saturday night along with a Saturday matinee. Matinees at The New Bev are fun, they're only $6.00 and you get a free popcorn! Dick Tracy is playing later in April as well so I'll be sure to check that out. In Hollywood proper, our friends at The American Cinematheque's Egyptian Theatre and Cinematic Void are premiering a new 2K restoration of grindhouse classic Dolemite! Packed with 70's kung-fu, open collars, music and rhymes, stay tuned after the film as cast and crew are scheduled for Q&A. Saturday night at The Egyptian, prepare for a killer 80's triple feature of tech-noir classics Robocop, The Terminator and R.O.T.O.R.?! Robo and Term are two of my favorite flicks of all time, making me life long fans of Peter Weller, Paul Verhoeven, James Cameron and Michael Biehn among others in two fell swoops.

I've seen Robocop twice on the big screen, both with Weller attending now that I think of it...and Terminator at least 6 times with the likes of Cameron and producer Gale Ann Hurd on hand but sadly never with the real stars, Linda Hamilton and Michael Biehn. And yes, you're reading this right. You can see The Rock and The Terminator on the big screen this Saturday which means Michael Biehn on the big screen twice in one day! Throw in Aliens at the Ace Hotel later this month for LV-426/Alien Day and that equals a triple dose of The Biehn in 30 days! If only someone would screen Predator to give Los Angeles a near comprehensive 80's sci-fi/action buffet...

Ask Me a Question: Silent Rage

On Saturday night it was off to Hollywood for a Dammaged Goods co-presentation of 1982's Silent Rage, the Chuck Norris anomaly that pits the karate kicking tough guy against a Frankenstein-esque turned 80's slasher villain. Stopping off at favorite spot Boardner's, it was surprisingly packed for 5:30 PM on a Saturday. Turns out George, a former actor who was a bartender there, passed away and it was a memorial service for him. He was in Smokey and the Bandit which played on the bar TV's. After some snacks and whiskey gingers, it was over to The Egyptian to set up for Silent Rage where David J Moore had a plethora of lobby cards and posters featuring Norris, Stallone, Schwarzenegger and more. When Cinematic Void programmer Jim reached out to me to co-present, I contacted writer Joseph Fraley who agreed to participate. From there, producer Anthony B. Unger caught wind of the evening and attended with his family and someone passed along contact info for director Michael Miller. While Miller was unable to attend, I had a terrific chat with the amiable filmmaker who started in Chicago with Harold Ramis and Brian Doyle-Murray before moving to Los Angeles and catching the eye of Roger Corman. 1976's Jackson County Jail starred a young a Tommy Lee Jones and was a bit of a breakthrough for Miller.

Following service in the Air Force and countless wins in karate tournaments, Chuck Norris appeared opposite Bruce Lee in The Way of the Dragon in 1972 before starring in hits like Breaker! Breaker!, Good Guys Wear Black and The Octagon. Silent Rage was said to be his first studio film for Columbia and shot around Dallas. Producer Unger recalls the studio stating they wanted an action picture for Easter and Silent Rage was it. So it was a great coincidence that we were screening the film on Easter weekend 30 some years later. Writer Joseph Fraley had studied Shotokan karate in the 60's when martial arts hadn't made a big splash in the states before serving in Vietnam. He met Norris and hit it off, with the future cinematic tough guy frequently making peanut butter and jelly sammiches with the crusts cut off for Fraley's young son. Fraley wrote Good Guys Wear Black and years later was telling Norris about some studies of reptiles who regrow limbs and how that would be interesting for a villain in a film. That simple idea lead to Silent Rage in the era of supernatural villains in Halloween, Friday the 13th and Nightmare on Elm Street.

We gave out a signed VHS of Good Guys Wear Black to kick things off. Jim programmed a great pre-show featuring Chuck Norris and the Karate Kommando's clips, PSA's and trailers for Fraley's Good Guys, Unger's Don't Look Now and Norris' awesome flick Sidekicks (View in Peace Mako and Jonathan Brandis). I hadn't seen Silent Rage in it's entirety ever so the screening would more or less be new to me. We meet Brian Libby as John Kirby, a disturbed young man under treatment of Dr. Tom Halman (Ron Silver) and Dr. Spires (Steven Keats) in a long shot through a house. Kirby cracks and kills a young mother before tussling with Sheriff Dan Stevens (Norris) and getting shot down. But Spires injects Kirby with an untested serum that heals wounds nearly immediately but renders Kirby a mute killer who goes after Halman and his sister Alison (Toni), who happens to be an ex of Stevens. Stephen Furst shows up as Stevens' portly police co-hort and provides comic relief. Norris' films always have a nice sense of humor and Rage continues the trend with Chuck being pretty easy going and a smooth talker with the lady, complete with a hilarious detour to a sex scene and relationship building sequence. There's also a giant bar room fight scene where Norris dispatches a dozen goons with karate kicks, spinning backfists and a broken window.

It was during the big fight sequence that reels had to be changed in the Spielberg so programmer and co-host Grant put on a ridiculous one man fight scene where he punched, threw and flipped himself all over the place culminating in Jim show slugging him with a piece of wood. It definitely made the night even more memorable as the crowd was enthusiastic and having fun. After the film, I shared some quick bites from Miller who remembers the film fondly and is proud of the uncut opening sequence that was his nod to Francis Ford Coppola and Akira Kurosawa. Unger and Fraley joined Jim for Q&A where they discussed how the film came together. While Fraley was close friends with Norris, both Unger and Miller found him charming and professional along with being a heck of a martial artist. The film shot in Dallas with the help of production manager Paul Lewis who kept things on track. Unger joked that Walker, Texas Ranger would borrow several elements from Rage and Fraley recalled that the film was number one at the box office two weeks in a row. A sequel was discussed but never materialized. Unger recalled the film wasn't expensive or cheap and they did not skimp on crew. Most of Furst's dialog was improvised and Unger and Miller would both work with the funnyman on other projects.

Unger and Fraley talked about how important karate was to Chuck's image and Columbia's original marketing materials emphasized action and showed him in a black gi even though he never dons one in the movie. Miller had mentioned he surrounded Norris with strong New York actors with Unger and Fraley both paying tribute to the deceased Ron Silver. Silver was great in the film, intense yet sympathetic with a bit of an Al Pacino thing going on. It was a fun night with great guests and a fantastic audience. After the film I got to hear about Christmas parties at Charlie Bronson's house. I can't even imagine.

What the Chuck?! Silent Rage

This Saturday, March 26th, our friends at Cinematic Void are putting on a 35mm presentation of Chuck Norris VS the boogeyman in action slasher flick Silent Rage! Void is The Egyptian Theatre's cult classic film club celebrating B-movie goodness held in The Spielberg Screening Room. Dammaged Goods is co-presenting and we're putting on quite the show! #ActionMovieBro David J. Moore will be on hand with copies of his book World Gone Wild along with tons of genre movie posters on display and for sale. Moore will be donating a couple of lobby cards as prizes for the evening while I'm kicking in VHS copies of Rage and Good Guys Wear Black. Why Black, Chuck Norris' first starring vehicle you ask? Because they were both written by one Joseph Fraley who will be in attendance! Fraley was chummy with Norris in the 80's and the last time they saw each other was at Charlie Bronson's Christmas party! Will have to hear more about that on Saturday. We're also excited to have producer Anthony B. Unger (Julius Caesar, Don't Look Now, Force 10 from Navarone) lined up for post film Q&A!

Directed by Michael Miller, Silent Rage finds real life Air Force veteran and karate champion turned cinematic tough guy Chuck Norris as Sheriff Dan Stevens who goes up against a mute maniacal murderer who has been subjected to years of medical experimentation and has the ability to self heal. So essentially you have Chuck Norris fighting Halloween's Michael Myers as Quentin Tarantino put it. Ron Silver (Timecop) and Frank Darabont favorite Brian Libby co-star in this 1982 flick that promises chills and lots of roundhouse kicks. Seating is limited and tickets and info HERE. So after you see the hopefully glorious but CGI filled Batman V Superman on digital print, come check out some real reel action on 35mm film!

Hollywood! Road House

Had a childhood friend in town for the weekend so of course we had to Grip & Rip it up. Starting in Hollywood on St. Patrick's Day, I took him to the home of Dammaged Goods Presents, the historic Egyptian Theatre where we caught the second film of an awesomely 80's double feature of Dirty Dancing and Road House. Both star former dancer turned leading man Patrick Swayze, get it, St. Patrick's Day? The Saint of Cinema sadly passed away in 2009 but made his mark in films like The Outsiders, Red Dawn, these two flicks, Point Break and Ghost as a suave yet macho leading man.  I've always loved this film since seeing it as a kid. I mean come on it's basically a modern day western with boobs, booze and bust ups galore. Throw in a rocking soundtrack and plenty of what the crap moments like a blind singer, monster truck destroying a car dealer, sweaty tai chi, rough sex, bad guy wearing a razor on his boot, mullets on top of mullets, ripping a guy's throat out and Sam Elliott's pubes.

Directed by Rowdy Herrington and written by R. Lance Hill and Hilary Henkin, Road House was produced by the legendary Joel Silver who set out to the make the greatest Drive-In/B-Movie in history. And guess what, he succeeded! Behind the camera you have staples like composer Michael Kamen (Die Hard, Lethal Weapon), cinematographer Dean Cundey (Back to the Future) and a terrific cast wrangled by Jackie Burch (Predator). Swayze is legendary bouncer/cooler Dalton, a fighting philosopher with a degree from NYU who somehow manages to clean up dive bars making $500 a night but never winning a fight, in a spiritual sense. He's called in to tame The Double Deuce in Jasper, Missouri where he runs into local businessman and leader Brad Wesley (Ben Gazzara) along with his band of thugs that includes Marshall R. Teague (The Rock), Terry Funk (Over the Top) and Anthony De Longis (Masters of the Universe). He also meets and knocks boots with local Doc (Kelly Lynch), the blondest, tannest ER doctor you've ever seen. At just under two hours, I forgot how much action was in this film. There's something like 9 fights here choreographed by kickboxing icon Benny Urquidez along with plenty of explosions and gunplay. And that Swayze is shirtless and smoking a cigarette for nearly the entire runtime.

About an hour in, Sam Elliot shows up as Wade Garrett, aging but still the best bouncer in the game. With his gravely voice, lean physique and mangy yet spectacular hair, Elliot's Garrett is a Got Damme cinematic role model who punches a guy in the dick to get Dalton out of trouble before trying to get his adopted little brother to leave town before things go too far with Wesley. Anyone who doesn't like top knots needs to watch this flick and check out Elliott pulling his hair back before mixing it up. After years of supporting roles in successful films, Road House was meant to be Swayze's star vehicle to the big time. Budgeted at around $17 million, the film would gross a respectable $30 million in 1989 and offer up a more female friendly action hero compared to emerging every-man Bruce Willis, insane Mel Gibson and the superhero one man armies of Sylvester Stallone and Arnold Schwarzenegger. Jean-Claude Van Damme was still starring in low budget hits like Kickboxer and Cyborg while the CAA and Warner Brothers backed Steven Seagal was about to break out with Hard to Kill. Constant airings on cable would catapult Road House into a cult classic that ensured high ratings and a milestone title in the vast filmographies of all involved.

To introduce the film and hype Saturday's co-presentation of Silent Rage with Cinematic Void, we gave out a copy of the hit soundtrack featuring the Jeff Healy band and two songs sung by Swayze. The question? What film did Swayze drop out of co-starring opposite Sylvester Stallone to headline Road House? Tango & Cash!

Ask Me a Question: Creed w/ Sylvester Stallone

After Monday's excellent outing for Mad Max: Fury Road, it was off to The American Cinematheque's Egyptian Theatre in Hollywood for a real treat, Rocky 7 aka Creed with a Q&A from Best Supporting Actor nominee Sylvester Stallone! A block of tickets came available and apparently a woman showed up at 11:00 AM looking to claim one when the box office opened at 6:00 PM. That's dedication! The shindig was sold out and Warner Brothers provided several displays for lobby and courtyard photos. I caught up with oh so many Dammaged Goods allies and talked the #ActionMovieBro hardships as I lined up Sheldon Lettich for Q&A at Laemmle's NoHo7 Bloodsport happening at the same time. DG even got an unsolicited shout out during the introduction since I lined up Dolph Lundgren then Carl Weathers to appear at the historic venue. Already a box office and critical hit, Creed is the story of Apollo's (Carl Weathers) child from an affair who grows up to be the angry and hungry Adonis (Michael B. Jordan). Young Doni seeks out unofficial uncle Rocky Balboa (Stallone, come on) and makes a run at creating his own legacy. The film was better the second time around, flowing much smoother and displaying director and co-writer Ryan Coogler's skills in front and behind the camera with great music, editing, tempo, inspiring training sequences and exciting fights. I was surprised at how much training and fighting were in the film as the first viewing came off as more of a drama like the original Rocky. But make no mistake, this is a boxing movie with drama.

After the film, the man himself, Mr. Sylvester Stallone, looking dapper and fit, came out for Q&A to a standing ovation:

- Thought doing a story of Rocky getting sick would be anti-climatic as audiences did not enjoy seeing the downside of success with part V.
- Pushed from all sides, dubbed a "coward" for being precious.
- Describes Michael B. Jordan as young, athletic and competitive. The two playfully sparred with Stallone delivering some cheap shots to the young leading man to remind him he still had teeth.
- Impressed with Jordan's physical transformation.
- Didn't think the one take fight scene would work and suggested a few cutaways just in case. They say it was the 11th take but Stallone felt it was 20 or something as he had nothing to do but yell.
- Approached the role with no vanity and avoided looking in a mirror during production.
- His friends were envious of the film's quality and success. Dolph Lundgren loved it. Carl Weathers did as well. Weathers' opinion was very important to Stallone as it's his character and performance that provided a film 40 years later.

- Describes Rocky I & II as one long, 4 hour movie, that's why they look and feel the same.
- Now a money making franchise, III & IV got away from the original intents to keep the story moving, as III became flashy and Rocky vain and protected, etc.
- Cher, Bette Midler and Carrie Snodgrass were in the running for Adrian before Talia Shire walked in and was instant fit, like Weathers.
- Wrote Rocky as "heroic" for the general audience, the people with potential who never got a shot.
- On Oscar night, was nervous after Burgess Meredith and Bill Conti lost and were going in behind Network and All The President's Men.
- Original Sound guy didn't care about the film, didn't run sound during a crucial scene and took his name off the picture. Irony was that film won for Best Sound and he wasn't credited. This is  interesting because I heard a story about Stallone on set lamenting, "I hate packing, unpacking and sound guys". So maybe that sheds a little light on why...
- What is most endearing to him is how much the film and character mean to people so many years later as the people who asked questions were hardcore fans.

With that, the place rushed the front and Sly coolly signed for a few minutes before being whisked off. It was a great night and inspiration to just keep punching.

Ask Me a Question: The Veil w/ Phil Joanou

Last night The Egyptian Theatre hosted a members exclusive screening of new horror-thriller The Veil. Director Phil Joanou directs a script by Robert Ben Garant that finds Thomas Jane as Jim Jacobs, enigmatic leader of a cult based on removing the nails between your physical body and spiritual soul. After a mass suicide leaves survivor Sarah Hope (Lily Rabe) scarred for life, she agrees to accompany a documentary crew headed by Maggie Price (Jessica Alba) back to the camp. Price's father was an FBI agent on the scene and like Sarah, her family's lives have been forever affected by the cult. Boasting a strong performance by Jane as the death defying, violence prone yet miracle healer Jacobs anchors the film along with Rabe and Alba as motivated women trying to make sense of a tragedy. Joanou creates an atmospheric thriller versus a straight slasher film that has a few chills and shocks even if the narrative and supernatural elements get a little confusing. Lots of cast and crew were in the audience and I spotted the man himself Thomas Jane in the lobby looking dapper and chill. I had a great time hanging with RAW Studios and convention maestro Mike and our friend Vladimir Kulich made an appearance as he's a big fan of Jane's dating back to Stander where he thought the Maryland born actor was actually South African.

A very energetic Phil Joanou participated in a brief Q&A:

- Shot in 25 days over 5 weeks at a First Nations reservation. Shortest schedule he's ever had.
- Did a movie for $3.2 million that shot for 32 days in the states and several cities abroad to compare.
- Once Blumhouse decides to make your movie, just tell you to go.
- Script was originally found footage but completely overhauled as fad had passed.
- Learned how to use After Effects on YouTube and spent more man hours adding in blood and ghosts than did shooting the actual movie.
- Loves his cast, said he couldn't have done it in the time frame with a weak crew.
- Shot very wide to evoke likes of John Ford and Roman Polanski to highlight ensemble.
- 1 to 3 takes, accomplished 40 + shots on first day of production.
- Film screened once with an audience for first test, cut out 20 minutes and this was second public screening before going VOD and Netflix.
- Was a protege of Steven Spielberg's and discussed the highs and lows of Hollywood, how hard it is but the key is to do it because you love it, whether it's a big budget, small budget, 3,000 screen release or On Demand. The journey is the destination.
- Spent two years on The Veil and couldn't be prouder of the film and those who worked on it.

While it would have been nice to hear from The Jane, Joanou was a ball of funny and inspiring energy. It was a fun night but only Monday! Check out The Veil on Netflix, available now!

Support This! Sleep Paralysis

Doing your own thing means meeting other like minded Doers who stopped talking and just went out and did the Damme thing. Whether it's the Mad Movie Titan Christian Parkes creating the largest genre film festival in America with Beyond Fest or my man Bennie Woodell who just finished writing and directing Love Meet Hope to my fellow JCVD and Dolph Lundgren loving homie Tom Jolliffe who wrote short film Out and is prepping his next. Oliver Brink was the manager at The Egyptian Theatre for as long as I could remember and we became fast friends when I started making his life more difficult bringing in the likes of Dolph Lundgren or a bunch of exhibitors for The Sunbow Celebration screenings of The Transformers and G.I. Joe movies. Now he's off doing what he loves, making films! His latest project is the micro-budget indie sci-fi horror flick Sleep Paralysis. Brink and his partners are setting out to make a film dealing with belief, skepticism and unproven phenomena as the nightmare and visions suffering Rachel and friends bunker down in a cabin to reclaim lost memories, explore "missing time" and sleep paralysis. And there might be an alien involved too. Find out more and support if you can HERE. Good luck, Oliver!

24 Hours: Dog Day Afternoon

 
After Steve Jobs over on the west side we trekked across town to Hollywood for our last night at The Egyptian Theatre for Beyond Fest. I was pleasantly surprised the commute didn't take too long on the early evening and we ended up catching a piece of matinee screening of 1925's The Phantom of the Opera starring Lon Chaney. This was really cool as it was a silent film with a small orchestra playing live. Out in the lobby was tons of Phantom memorabilia like posters and busts. It was over to favorite happy hour spot Boardner's for some dranks and grub where it got more crowded than I think I've ever seen it. Hot too as it was a real scorcher this weekend, my car's temperature gauge read 100 and 101 more than a few times. Back to the theatre where the sold out crowd was waiting in the courtyard since none other than Al Pacino was appearing to talk about Dog Day Afternoon. I'm a big fan of Pacino and director Sidney Lumet but I had actually never seen the flick even though I own a two-disk special edition of it. Christian and Grant got the audience going as usual with free giveaways, tee shirts being chucked and shot into the audience and free DVD's where one jerk off didn't pass it back to the winner. The audience booed and shamed him but I don't think he gave it up. What a douche..The night was being brought to us partially by Warner Brother who are just releasing it on special edition blu-ray. Moderator Bret Ratner produced a new documentary on co-star John Cazale that is included.

Dog Day Afternoon is based on a true story where Pacino plays Sonny, a not exactly seasoned bank robber who with partner Sal (Cazale) get caught up in a media frenzy when their heist goes wrong. We start to learn about Sonny and the pressures he's facing that lead him to try and rob a bank. By the end I was really wondering if they'd make it after everything they'd been through. Pacino is terrific as the frantic and funny Sonny while Cazale is quiet, odd and slightly menacing. The mainly female cast that make up the bank tellers are great and you get a young, serious and handsome Lance Henriksen as a mostly silent FBI agent. It's easy to see why the film was nominated for six Academy Awards in 1976, eventually taking home Best Original Screenplay for Frank Pierson. Lumet does a great job of making a talky drama resonate with personal relationships, defying authority and taking a shot when everything seems to be crumbling around you.

After the film, Bret Ratner introduced Mr. Al Pacino who looked randomly great with his big hair, suit and a shirt that exposed much of his smooth, tan chest. Pacino still has it; terrific energy, a real zeal for his craft and a sense of humor:

- Ratner is a huge Pacino fan, mother took him to see Buffalo 66 in New York where they sat in the front and got spit on by the star for two hours.
- Pacino was doing theater mostly before he fell into films, was coming off The Godfather, Serpico and The Godfather: Part II which is no small feat of now classic films.
- Had worked with Lumet on Serpico, also a true story, and quit Dog Day not once but twice.
- Lumet was an advocate of rehearsal so cast had several weeks to prep for Dog Day.
- Pacino pushed certain actors into the film, including Godfather I & II's John Cazale for Sal even though the character was written for an 18 year old.
- Cazale was a great friend of Pacino's and quite the ladies man, discovered Meryl Streep in a Shakespeare in the Park production in New York.
- The script was solid but during rehearsal cast started to build upon and improvise. One example is the phone call between Sonny and his lover Leon (Chris Sarandon). The two were originally supposed to have a scene face to face but Pacino felt the phone call would serve story better.
- Infamous Attica! scene came from assistant director who suggested Pacino use it during a scene where he's outside of the bank talking to police and surrounded by the crowd. Topic of bloody prison revolt was still a hot topic, when Pacino called out Attica to the extras, they responded enthusiastically and the classic scene built from there.
- Pacino has been acting since his early youth, doing plays, always performing and by the time he got famous and found success, it was difficult to go back to that early feeling of freedom and exploration.
- Didn't want to meet the real Sonny as the events had already happened and didn't want to caricature.
- Asked about never working with Martin Scorsese, Pacino hopes that a project including the director, himself, Robert De Niro, Joe Pesci and Bobby Cannavale firms up, Ratner hopes to produce.

It was an awesome night and great to see a living legend in the flesh. Beyond Fest has outdone themselves again for a third year running. Sunday saw a tribute to Wes Craven featuring half a dozen distinguished guests and things wrap up tonight with the west coast premiere of martial arts extravaganza The Assassin. Can't wait to see what they have up their sleeves for next year.

Premiere! Bone Tomahawk

It was back to Hollywood last night for some Happy Hour at Boardner's, much better deals than Pig & Whistle, for the west coast premiere of Bone Tomahawk! I've been pumped for this flick since first hearing about it, I mean come on, a gothic western with cannibals starring Kurt Russell?! The screening officially sold out and the packed audience included no less than Clu Gulugar, Sid Haig, Martin Kove and Quentin Tarantino! #ActionMovieBro David J. Moore was in the house, his action movie opus The Good, the Tough and the Deadly hits shelves this February, featuring a couple of things by yours truly, so be on the look out for that and for accompanying screenings and signings. Beyond Fest maestros Grant, Christian and crew kicked things off in ridiculously awesome fashion as usual, shooting and winging tee shirts into the crowd along with DVD's.

Bone Tomahawk takes place around the turn of the century in the quiet town of Brighton Hope, population 200 and something. A couple of rustlers run afoul of a tribe of savage cannibals dubbed troglodytes who kidnap Samantha (Lili Simmons), the wife of local cowboy with a broken leg Arthur (Patrick Wilson). Along with Sheriff Franklin Hunt (KURT RUSSELL), his old timer deputy Chicory (Richard Jenkins) and cold blooded dandy Brooder (Matthew Fox), the quartet sets out to rescue Samantha. What follows is a beautiful, funny, brutal and gorily violent adventure that had the audience laughing, cheering and cringing throughout. Written and directed by S. Craig Zahler, the first time director makes good use of his deep cast, wild west setting and hardcore if not over the top violence. It kind of reminded you of The 13th Warrior, the vikings, men on a mission flick as it was an odyssey to battle a strange and unforgiving enemy. But as a western. The dialog has a certain panache and tilt to it and the actors all deliver their lines in their own special ways. You had hot head Arthur, overly calm and deadly Brooder, funny/dumb/crazy Chicory and Hunt right in the middle. There aren't any huge gun fights or horse chase sequences but Zahler makes effective and shocking use of violence throughout. Beyond the poster names, familiar faces like Sid Haig, David Arquette, Michael Pare and Sean Young pop up briefly.

After the film, Zahler was joined by actors Matthew Fox and Lili Simmons for a podcast interview with Jeff Goldsmith from The Q&A:

- Zahler went to NYU, is a huge heavy metal fan, wrote fanzines, worked full time as a caterer then started writing. Can finish a script in 30 days, a novel in 45 or so. Has had 22 scripts optioned but only one produced by a random international consortium.
- Simmons started off at Disney, landed an agent through her manager. Currently wrapping up series Banshee.
- Matthew Fox grew up in Wyoming with no TV until his teens, encouraged to read a lot of fiction by his father and graduated with an Economics degree before booking commercials and acting jobs.
- After so many projects optioned but never produced, Zahler wrote Bone with an eye to direct and get something made. Friend and partner Dallas Sonnier secured financing.
- Small movie, under $5 million to make it. At one point $1.8 million was mentioned, phew!
- Kurt Russell was attached from the beginning and stuck with it for two and a half years. Zahler describes him as having the energy of 5-10 Kurt's.
- Fox loved working with Russell and Jenkins, described them both as easy going guys, excited to be making movies, down to earth and totally supportive.
- Fox grew up riding horses and had a crazy mare to work with but ended up taming the creature.
- Film shot for 21 days, partially in upstate New York.
- Not much music in film, didn't want to use it as a crutch.
- Inspired by R. Rider Haggard and books like King Solomon's Mines as well as micro-budget horror films. Wanted to create his own race and gave them a distinct look and feel.
- Original script was 128 pages and basically shot all of it. Miraculously never fell behind.
- Fox doesn't choose roles based on anything much more than the material presented. Studied photos of people from the era, impressed with how they carried themselves and used it in film.
- Zahler and Fox are developing a crime/mystery TV series.
- Film is going to be released uncut and unrated.

Of course much more was discussed but you can catch the full podcast when it's released. A great flick that I hope lands on a special features loaded Blu-Ray soon! Beyond Fest keeps on chugging this week with He Never Died, Men & Chicken, Too Late, Eraserhead, The Mind's Eye and The Phantom of the Opera among others with guests like Henry Rollins, John Hawkes, Bernard Rose and more scheduled to attend. We'll be back for Dog Day Afternoon followed by a chat with Al Pacino!

Premiere! The Invitation

 
Beyond Fest has been in full effect since last Thursday night's premiere of gangster flick Legend starring Tom Hardy with writer/director Brian Helgeland stopping by for Q&A. Things have been pedal to the floor ever since with a Better Off Dead reunion, Evil Dead double feature with Edgar Wright, Bruce Campbell and surprise guest Sam Raimi along with 600 foam chainsaws then a rare concert featuring Italian composer Frizzi. We finally made it Monday night for the west coast premiere of The Invitation, a single location ensemble piece about a dinner party featuring old friends who haven't seen each other in two years after a family tragedy. We saw a clip at Comic-Con and you just knew some weird shit was going to happen. Directed by Karyn Kusama from a script by Phil Hay and Matt Manfredi, the flick stars Logan Marshall-Green, Emayatzy Corinealdi, Michiel Huisman, Mike Doyle and John Carroll Lynch. It was a packed house and the lobby was set up with posters from various films playing throughout the festival. But the pre-show clips of random horror, trailers, Rocky III training and whatnot lent terrific additional energy.

The Invitation starts with Will (Green) and Kira (Corinealdi) on their way to Eden's (Tammy Blanchard) home in the Hollywood Hills. Eden happens to be Will's ex-wife and they used to share the house. It's been two years since they split and their circle of friends haven't seen much of either since. Past secrets and pain are revealed as present plans unfold leading to a final act that I thought involve aliens. While it wasn't Invasion of the Body Snatchers at a dinner party, there's the same sense of dread and questioning who your friends are that made for a funny, intense, violent and raw 100 minutes. It's a simple flick so I don't want to spoil anything but it's definitely worth checking out as performances are solid as is the ambiance and shocking conclusion. After the film, director Kusama, writers Hay and Manfredi along with actor Marshall-Green took to the stage for Q&A. Non-spoiler basics:

- Kusama and Hay are married in real life.
- Hay and Manfredi have been kicking the idea around since about 2000.
- Play on reality and legends of Hollywood Hills' various crimes and oddities.
- Kusama met Green at a coffee shop who thought he was a loitering lurker, liked his lack of ego or vanity.
- Diverse cast reflected reality of living in Los Angeles.
- Nice to work in modern day, independent horror or sci-fi as big ideas can replace big set pieces.
- A week before shooting, ensemble cast and filmmakers spent time with each other alone, in pairings and groups to work out dynamics and tone.
- Edited in Kusama and Hay's garage much to neighbor's chagrin.
- Worked hard to keep the tension up throughout, where to throttle, where to let go, etc.

It's a little tough to talk about since once you see it or talk about it, you can't unsee it or untalk about it, know what I mean? A great night and a solid flick, bring on the west coast premiere of Bone Tomahawk aka Kurt Russell's gothic western, with cannibals! See ya at The Egyptian.

Con-Man: Mastering the Universe Part I

After Friday night's successful screening and panel of Masters of the Universe, it was time for Saturday's big event, an entire day of mini-convention, screenings, Q&A's and the west coast premiere of Toy Masters! Our vendors like La-La Land Records, Scrooze Toys, Animation, Inc., collector Steve York, artist Dave Woodman and Super7 were joined by Skeletor and She-Ra voice actors Alan Oppenheimer and Melendy Britt. I was happy to see a line was forming before we opened doors and thanked everyone for showing up and for their patience as we prepared. Energy was great, the He-Man fans were very enthusiastic and checked out all of the glorious toys and displays Mattel and Pretty In Pink provided. Programmer Grant had somehow unearthed two episodes from the second season of Masters of the Universe on 16mm to add to our pre-show lobby con and had them screening in the theater.

Erika Scheimer helped kick things off with her boundless energy and enthusiasm as we discussed her involvement with Filmation. Run by her father, animation pioneer Lou, who kept work in America and also created a new market for cartoons as He-Man went straight into syndication with a 65 episode order, effectively leading the way for She-Ra, G.I. Joe and Transformers. Erika got involved in the family business after graduating from Stanford but finding herself without a job. Working for dad as a voice actor, she gave the audience a taste of her characters Imp and Loo-kee and explained how she'd picked up a guitar at age 12 so writing and performing "I Have the Power" for The Secret of the Sword was a real treat. The worldwide popularity of He-Man shocked the family as they traveled to conferences in Europe. A fan in the audience said he met his partner through their love for He-Man and Erika expounded on the impact the show had on viewers which touches her heart to this day. It was an honor and a pleasure to have Erika and her partner Amy there as well as a great way to start off the day. Heritage Auction House will be putting some of Lou's private collection up for bid to get items into the hands of the loving fans.

Artist and He-Man co-creator Mark Taylor was our next guest and He-Man World creator John Atkins took the mic for an informative, educational and hilarious panel. Did you know that the price of toys covers the cost of legal action in case someone is hurt or killed by them?! I didn't...Mark is a terrific talker, knowledgeable and engaging as he discussed the psyche of He-Man and Skeletor, the importance of Joseph Campbell and telling a story through any piece of work whether it's a piece of art or a painting. Originally working freelance, Mattel invited him to work in house on Barbie and Shogun Warriors. His uncles had served in the war and Taylor wanted to create a hero who was strong and brave, tinged by Tarzan, Prince Valiant and Greek literature. A hero didn't need a lot of armor or sit in a tank to him, the guy who just goes out there and does it, prevailing against all odds. Nobody wanted to work on He-Man back then as Barbie was the successful brand that could launch a career. Battlecat came from the Tarzan line Mattel had already done but his back was too broad for He-Man figures so the saddle was created. Kids responded so well to the toys, test groups tried to steal them. Mark ended up working on Hot Wheels as well as in Japanese animation. A truly fascinating individual and his wife Rebecca is a sweetheart as well.

Two classic episodes screened before the Filmation panel of artist/director Tom Sito, writers Larry DiTillio, Marc Zicree and Brooks Wachtel along with voice actors Alan Oppenheimer and Melendy Britt took the stage. Unfortunately I had to miss most of this panel as I was running things in the lobby but caught snippets about how He-Man was actually a pretty bad hero since he's totally reactive to Skeletor's scheming versus being proactive. Oppenheimer had no idea the cartoon would live on as long as it has and make such an impact. Oh yeah, when we met, he totally went into Skeletor and Mer-Man voices without even trying, it was awesome. Part II coming up!

Ask Me a Question: Masters of the Universe

My two part experiment to mash a convention with repertory screenings kicked off Friday night at the historic and beautiful Egyptian Theatre in Hollywood with 1987's Masters of the Universe. Mattel had really come through, providing display cases full of figures from the 1980's through today, Castle Grayskull, Snake Mountain, 6 foot character displays and a 15 foot tall He-Man statue that barely fit inside the lobby! Pretty In Plastic kicked in with an awesome mounted bust of Battlecat, one of less than a dozen in existence and valued at a cool 8 grand. We had a solid turnout for the evening and one by one our guests arrived. Myself, programmer and voice actor extraordinaire Grant along with editor at large Jim Branscombe spliced together a pre-movie clip show of beautiful randomness that included the credits to Dolph Lundgren's awe-inspiring workout video Maximum Potential, He-Man toy commercials and a fan edited version of 4 Non Blondes What's Up featuring Prince Adam and Cringer.

Mattel had provided a dozen rare figures from their Matty Collector line to give out as prizes and we got right into the film. The 35mm print looked solid for being nearly 30 years old and the audience was enthusiastic, cheering, clapping and laughing at all the appropriate moments. Starting on war-torn Eternia, the evil warlord/wizard Skeletor (Frank Langella) has taken Castle Grayskull, where mystical forces are housed and give the power to become the Master of the Universe. With keeper of the house The Sorceress (Christina Pickles) captured, it's up to a small band of Eternian heroes to save her including the ultra heroic He-Man (Dolph Lundgren), troop commander Man-At-Arms (Jon Cypher), his daughter Teela (Chelsea Field) and locksmith/inventor Gwildor (Billy Barty). You see, Gwildor has invented a music based Cosmic Key that can open a doorway to anywhere, which Skeletor used to infiltrate Castle Grayskull and take over. During a botched rescue attempt, Gwildor frantically opens a doorway our heroes escape into, landing on...Earth! There, with the help of two local teens (Courtney Cox and Robert Duncan McNeil), He-Man and his crew battle Skeletor's pursuing mercenaries (including Robert Towers as Karg and Anthony De Longis' Blade) while dealing with earthly customs like eating fried chicken and ribs and trying to get back home, free The Sorceress and save Eternia.

This was the first film I ever saw in a movie theater and I've loved it ever since. The last time I saw it was in 2009 or so at the now defunct Regency Fairfax down the street from the New Beverly which played the film a couple of years ago, both times screening at midnight. It's become my staple to not only spread the gospel of the 80's and 90's but also take midnight back to prime time. For me, much of MOTU still works. The Castle Grayskull set is huge, impressive and immaculate, the costumes ornate and unique, the action crackles with a kinetic swashbuckling energy while the cast is terrific and most of the matte painting, laser blast, pyrotechnics and space door special f/x look great. Bill Conti's epic score gives the flick a Star Wars meets Superman scope, Dolph is picture perfect as a living action hero while Frank gets to dig his teeth deep into the fiery yet sorrowful Skeletor. Plus the message of there being only one of you in the universe is still a great message.

After the film, I called down our panelists of director Gary Goddard, production designer William Stout, Teela Chelsea Field, Karg Robert Towers, Blade Anthony De Longis and armor suit makers Robert Short and Max Cervantes:

- Goddard has a background in large scale theme park attractions as well as theater. Always wanted to be a filmmaker, made films in high school, never gave up and his mother always encouraged him.
 - Chelsea Field was a dancer before auditioning seemingly twenty-five times for MOTU and it was her first acting role. Auditions had no scenes per se, acting out action, fighting with swords and laser guns. Had met Goddard to discuss Conan stage show previously and he remembered her.
- William Stout originally hired as storyboard artist but hit it off with Goddard, both loved Jack Kirby while hired production designer didn't see eye to eye with director or have faith in film.
- Anthony De Longis worked on Conan the Barbarian stage show, worked with William Stout on a Roger Corman flick after Masters. Played Blade and doubled Frank Langella for final battle where Skeletor is in a huge helmet the size of the New York skyline.
- Robert Towers knew Goddard from Conan as well. Went through lots of auditions as Goddard was adamant performance had to come through prosthetics. Had a great time with Billy Barty who always brought great energy and told dirty stories. Went through 3.5 hours of make up and could barely eat.
- Robert Short's shop produced 300 some suits of armor in 30 days.
- Grayskull was biggest set Hollywood had seen in 40 years, two stages with wall knocked down.
- Goddard described the difficulties of the film that included costumes, contact lenses that almost made wearers blind, make up, pyrotechnics, fights, stunts...everything but rain. Cannon Films also going out of business, was told three times that there was no money. Would tell cast and crew that they were already there, go ahead and shoot day and figure it out. Producer went to Mattel for money.
- Field hasn't seen film since opening, only 2nd time, lots of 30ish guys walk up and freak out about Masters. Best summer of her life, most fun she ever had on a shoot. Night shoots felt like they went on forever, was only 6 weeks, only getting about 4 hours a night on Whittier streets. Fond memories of working with James Tolkan, Jon Cypher, Cox, McNeil, etc.
- Frank Langella was in town and wanted to come but had to head back to New York early, drat!
- Great to work with, 2-3 hours of make up and anchors the film. Goddard spread story to more characters versus giving all to He-Man and somewhat telling story through villain's eyes.
- Big film for Cannon but still a skeleton crew, department assistant Josh Olson would go on to write Oscar nominated A History of Violence.
- Strapped Dolph to a truck for the Air Centurion sequence, had him 30-50 feet up a ladder.
- Towers kept some costume pieces and wig, Goddard has Skeletor's sword, Field kept memories, Stout has 200 paintings, Max has some armored suits and revamped for Alien Halloween costume, Short has a garage full of molds and suits, De Longis has a sword, donated one to charity.
- It was William Stout's birthday, we wished him a hearty "Good journey!" and I passed out cupcakes after.
- Field warned her son that it would be very cheesy but was surprised how well it held up. Everyone gave massive props to Goddard for making for such a great experience, keeping things rolling even though Cannon was falling apart behind the scenes.

 It was a beautiful night paying tribute to one of my favorite films and a warm up for the next day which would include 12 hours of setting up, hosting and running a mini-convention, 4 screenings and 4 panels, phew! Until then, don't say goodbye, say "Good journey!".

(Almost)Ask Me a Question: Masters of the Universe

It's finally He-Man week! The blonde barbarian celebrated his birthday on September 5th and this Friday the 18th, we kick off a two day celebration of the pop culture powerhouse. Join us at The Egyptian Theatre for a 35mm presentation of the 1987 mini-classic Masters of the Universe, a film that blends Star Wars, Conan the Barbarian and Steven Spielberg style 80's Americana. A bevy of guests are slated to join us:

Director Gary Goddard, former Disney Imagineer who struck out on his own and created large scale attractions like Terminator 2 3D, Jurassic Park: The Ride and Conan: A Sword and Sorcery Spectacular. Goddard has also worked extensively in theater on and off Broadway and recently helmed the first ever 3D play. Masters of the Universe would be Goddard's only foray into film but audiences will also remember his work on shows Captain Power and Skeleton Warriors.

Production Designer William Stout joins us once again to tell tales from his varied and awesome career. Known for his work in comic books, fantasy and paleontological art, Stout also drew album covers for the likes of The Rolling Stones and The Who. His film and TV career includes stints as Production Designer, artist and illustrator on the likes of Conan the Barbarian, Raiders of the Lost Ark, Return of the Living Dead and MOTU. He's also a photographer and explorer, being one of the few selected to travel to Antarctica to dive, hike and detail the landscapes and wildlife. Like Goddard, Stout spent time at Walt Disney Imagineering working on projects for Disneyland and World before designing for Lucasfilm, Universal Studios and GameWorks.

Actress Chelsea Field began her Hollywood career as a dancer on hit show Solid Gold before popping up in Arnold Schwarzenegger's Commando and landing the role of warrior Teela in MOTU. Her 80's and 90's credentials would be solidified with appearances in genre classics Harley Davidson and the Marlboro Man and The Last Boy Scout. Field has also keep busy on television with roles on Time Trax, Tales from the Crypt, Cold Case, Without a Trace and NCIS.

Actor and weapons master Anthony De Longis has been swinging swords, cracking whips and kicking ass since the 70's. A Jack of all Trades when it comes to stunt work and acting, De Longis has appeared in the likes of Circle of Iron, MOTU and Road House while training Harrison Ford, Tom Cruise, Michelle Pfeiffer and many more. He's recently appeared opposite Jason Patric in western short The Weight of Blood and Bones. On MOTU, De Longis trained Dolph Lundgren to use a sword while appearing as the dual blade wielding, eye patched and spiky shoulder pad wearing...Blade.

Robert Towers played Skeletor's mercenary leader, Karg, the pimp, alien looking guy with white hair and a short white cape. Towers has been seen and heard for decades in Doctor Dolittle,Star Trek: The Next Generation, Angel, Frasier, The Curious Case of Benjamin Button and played Albert Einstein on an episode of Hanna Montana!




We also have SFX lead Max Cervantes joining us to introduce the film. Max worked on the armored suits Skeletor's crack troops wore and still has his crew jacket! We're working on more guests but get ready for an amazing evening that could only be brought to you by the magical 1980's!