Animated Goods: Pryde of the X-Men

As a kid I had a VHS of Pryde of the X-Men, a lone episode featuring Marvel's most popular fighting team. It even came with a live-action PSA about voting starring Spider-Man, no wonder I'm such a good person! I didn't know why it was only one episode as it was action packed, featured a litany of familiar heroes and villains, had terrific animation and of course a killer theme song. After the Pure Fandom launch party at Coin-Op in San Diego and playing the similarly styled and themed 1992 arcade game, I watched Pryde in bed the next day before heading to the show. In 22 minutes we're introduced to the X-Men (Cyclops, Dazzler, Colossus, Storm, Wolverine, Nightcrawler, Professor X and new recruit Kitty Pryde) as they train in the Danger Room, hang out at the mansion then take on their old foes (Magneto, Pyro, The Blob, Juggernaut, The White Queen, Toad), end up in space on Asteroid M, it's awesomely ridiculous. Toei does an immaculate job with the animation, each character gets their bit and fans forever would wonder why the Canadian Wolverine was suddenly Australian (apparently because it was the fad at the time, Crocodile Dundee, Melly Ass Gibson, you know).

In a bit of full circle, the show was one of Marvel Productions' last projects and much of the team who did G.I. Joe and Transformers for Sunbow worked on Pryde. Which means the likes of voice director Wally Burr, producer/storyboard director Larry Houston, Cyclops voice actor Michael Bell and Nightcrawler Neil Ross, some of my fantastic guests at the Sunbow Celebration, were people I could ask about it! Duke himself and all around funny guy Michael Bell couldn't remember how it came to pass but recalled having a lot of fun recording it. Shipwreck and Rambo Neil Ross elaborated a bit, stating that Wally Burr put out the call, at the audition Burr wanted Nightcrawler to be Bavarian and the recording session was the longest he could remember at 12 hours. The cast was told it was a pilot for a series but everything ground to a halt due to Marvel's financial issues leaving only Muppet Babies in production. Of course a few years later, Fox found success with their fun if not as well done or good looking X-Men cartoon that ran from 1992 - 1997.

Sadly, former World War II tank commander turned veteran voice actor and director Wally Burr suffered a stroke earlier this summer. Burr has worked on the likes of Inspector Gadget, G.I. Joe, Transformers, Jem, My Little Pony, Exosquad, Bucky O'Hare and countless other titles. Outpouring from fans and colleagues has been strong and you can send a note to kdelwallis@gmail.com to wish him a hearty Yo Joe and get well soon!

Gotta Play! Button Mash

Another day, another Los Angeles based barcade. As a child of the 80's and 90's, I grew up pumping quarters into machines at my local malls, mashing buttons to Street Fighter, Final Fight, X-Men and the like. One more recent addition to the LA scene is Echo Park's Asian fusion restaurant with a bar and arcade Button Mash. Just up the street from Union Station in downtown, Button Mash is located in a curious strip mall that holds a tropical fish store and a Domino's among other businesses. There's a small parking lot and plenty of curb side parking around the area. They were supposed to open at 4:00 PM but were actually in the midst of shooting a TV show, movie or online series whatever. Surprisingly, many an older person patron was waiting to get in as well and when I say older, I mean retirement age. I wonder what games they came to play.

The place is split up into a restaurant on one side and the arcade on the other. It's strictly beer and wine at the moment but there are several kinds of cider for people like me. Food wise you had a double hamburger next to chicken wings and tofu balls, all in, not too shabby. Then your check comes in a 90's area paperback which was a nice touch, if you ever see Governor Schwarzenegger, Party of Four, scrawled in one, that was me. Game wise it's token based and the selection is quite solid with the full X-Men, Street Fighter II: Championship Edition, Mortal Kombat II, WWF, Super Contra, pinball and more. The more I play, the more I find myself craving the Street Fighter Alpha series with it's faster action and ability to pull off super combos. But so far, that's only located at Shatto 39 not here, Eighty-Two, Blipsy's or my local burger joint that has games in it. I'm sure The One-Up has all of them on their beautiful emulator cabinet but it's not quite the same thing.

Playing MK II was a trip back down memory lane as I could not recall ANY of the moves but was quickly reminded how cheap a game it is as you can seriously just trip someone over and over again until they die. We looked up moves and before you knew it, it was all about Johnny Cage and the splits to nut punch. I'm not saying Jean-Claude Van Damme invented the move in Bloodsport but can you name me a precursor example that had as much impact? And for a place called button mash, it could use a lot more brawlers. But overall a cool joint I'd check out again.

Summer Cinema: X-Men Apocalypse

The summer cinematic superhero season continues as X-Men: Apocalypse is poised to pass $200 million worldwide by the end of the long Memorial Day weekend. It's been an interesting road for the genetically mutated and wondrously powered X-Men after Fox bought the screen rights from Carolco's bankruptcy and placed Bryan Singer at the helm with Wolverine at the forefront. 2000's X-Men was the first of it's kind and with Spider-Man, ushered in the big budget comic book era we currently live in. Back then comic book movies were still wildly uneven and X-Men was given a decent if unspectacular $75 million budget and a mid-level cast of familiar faces and strong actors if not box office stars like Patrick Stewart, Ian McKellan and Halle Berry. Production was stopped twice and it's July box office success was a bit of a shock. Afraid to truly embrace the comic book nature of bright costumes and whiz bang action, X-Men tries to ground things in reality, makes being a mutant akin to being a suppressed homosexual or tortured prisoner of war and the costumes are very The Matrix-esque with black leather replacing blue and yellow tights.

Fox has always chased the stars as X2 put Halle Berry's Storm up front after the actress won an Oscar. The same happened after Jennifer Lawrence went supernova in The Hunger Games and all of a sudden the shape shifting henchman Mystique was now a lead character. Minor character Gambit, played by Taylor Kitsch in Origins: Wolverine was now going to be a standalone film starring Channing Tatum, hot off of Magic Mike and 21 Jump Street but after diminishing returns on Jupiter Ascending and Magic Mike 2, the project has seemingly gone quiet. While X2 became a standard of quality in the genre, X-Men 3 suffered from a troubled production which saw Bryan Singer jump ship to DC and Warner Brothers for the ill fated Superman Returns, replacement Matthew Vaughn left shortly before production was to begin and Brett Ratner was brought in last minute, smashed two scripts together and became the franchises' whipping boy even though his effort is totally watchable and leaps and bounds better than Origins: Wolverine.

First Class breathed new life into the franchise by taking the action back to the 60's but the film grossed less than the four films that preceded it. Fox made the wise move of blending the original X-Men trilogy with the new cast while more or less rebooting the series with Days of Future Past and grossed a franchise high $747 million bucks. Then the long gestating Deadpool turned the genre on it's head with a modestly budgeted, foul mouthed and violent R-rated juggernaut to become the highest grossing film in the series. Now comes X-Men: Apocalypse where our heroes and villains battle a powerful mutant from Egyptian times. We're reintroduced to the likes of optic blasting Scott Summers aka Cyclops, super telekinetic Jean Grey and the blue skinned teleporter Nightcrawler who are now youngsters in the 80's. Sitting in the darkened theater I was surprised how much I enjoyed the film. No X-flick has truly been great but after 16 years, it seemed like they were finally embracing the comic books and Apocalypse was the X-Men'iest film to date. While some might be frustrated at the shoe horned number of characters in the film, they're all given their five minutes, even if that means no one gets to stand out or really shine. I just had fun watching so many characters, many in costume, flying and jumping and running and fighting while using their powers in a world that was finally simply presented instead of explained.

Sure you could nitpick about lack of character development or epic-ness and questionable CGI but overall I had an excellent time and would see it again. Though for a film set in the 80's there's a distinct lack of neon, synth, Dazzler and awesomely 80's as hell Longshot, the dude with spiky blonde hair, a mullet and a black leather outfit. On an even more personal level, I was just happy to see Cyclops not be the bitch of the series like James Marsden's version was in the past. I laughed out loud when we got a glimpse of his 90's style outfit where straps, pouches and shoulder pads were all the rage. Franchise fatigue has definitely set in for the X-Men as reviews have not been kind and box office grosses coming in lower than projected. Contracts for stars James McAvoy, Michael Fassbender and Jennifer Lawrence are all fulfilled. Fox is already focusing on a Deadpool sequel, X-Force and The New Mutants but young Cyke, Jean and Nightcrawler Tye Sheridan, Sophie Turner and Kodi Smit-McPhee are all signed on for at least two more films. The stage is set for a kinetic and action packed, more contained story set in the 90's so here's hoping we get it.

Snow Screen: Deadpool

Since we were in Hollywood for Creed this past Thursday, it meant that a viewing of new flick Deadpool would have to wait until the weekend. Trekking back to Hwood to the Arclight, we dined and drank in the bar where they had pint glasses available to coincide with the movie. The early word on Deadpool had been positive and it would be a nice change of pace to see an R rated superhero flick with cursing, sex and violence. After Ryan Reynolds was introduced as Deadpool in the disastrous X-Men Origins: Wolverine, the road back to the big screen would take nearly 10 years and a leaked trailer to get there. As former special forces soldier turned low level criminal Wade Wilson, Reynolds brings his natural smarmy, almost douchebag charm to the big mouthed, smart ass'd role. Stricken with cancer, Wilson volunteers for a program run by the nefarious Francis aka Ajax (surprise Game of Thrones breakout Ed Skrein) where he'll be tortured and experimented on until his dormant mutation manifests. Wilson's powers turn out to be of the self healing kind and I don't think he feels much pain either.

Donning the red tights to cover up blood stains, Deadpool works his way up Ajax's cronie list on his way to a final confrontation with the guy who ruined his life. Oh all of this is for love, in a shoehorned relationship with working girl Vanessa (Morena Baccarin). X-Men Colossus and Negasonic Teenage Warhead (Brianna Hildebrand) show up as does superpowered baddie Angel Dust (Gina Carano). The film starts off fantastically with a near Fox trademark opening of moving through trash or space in slow motion (seriously, Fight Club, X-Men and more, Fox loves their CGI breakdowns), funny credits and a shout out to co-creator Rob Liefeld. The Lie gets several acknowledgements including his name misspelled on a highway sign in the Tim Miller directed, Rhett Reese and Paul Wernick scripted film. Opening action sequence gets split up into several scenes as a clunky origin story is shoved in. But the shooting, slashing, flipping and kicking action is well done and Deadpool going up against the metal Colossus is creative, funny and cringe worthy. Budgeted at under $60 million, you kind of feel it in what seemed like a lack of action. Or that the action scenes are always interrupted so it just feels short? Deadpool and Ajax fight it out on what looks like a decrepit SHIELD helicarrier at the end which is just one of many references to Marvel and it's cinematic universe.

Deadpool takes full advantage of it's R rating with violence, sex, nudity and cursing. I've never read any of his headlining comics so no clue if it's a truthful representation to the source material. The film opened up phenomenally over President's Day weekend with an ad campaign that seemed to be everywhere and effective without wearing you down. Grossing $150 million over four days and another $100 million plus overseas, the movie that nearly didn't happen grossed $264 million worldwide in under a week. A sequel has already been greenlit and is referred to in the film itself. Time traveling, cybernetic soldier Cable is touted to appear and hopefully that leads to an X-Force film. Stephen Lang wants the role while Tom Hardy and Jon Hamm are on Liefeld's wish list. But once again, I'm voting for Michael Biehn. His age probably takes him out of the running already but having played a time traveling resistance fighter in The Terminator and armor clad space marine in Aliens makes a nice through line to Cable.

Gotta Drank(and Play)! RN74, Lava Lounge & Shorty's

Hello hello, Dammaged Goods coming at you live style from beautiful and green Seattle, Washington for this year's Emerald City Comicon! The event has sold out with attendance jumping a full 10,000 and expected to hit 80,000 attendees. We hopped a Virgin flight up yesterday afternoon and saw none other than voice of Duke and Prowl from G.I. Joe and Transformers as well as Sunbow Celebration guest Michael Bell in the terminal! Mr. Bell is working on a voice acting workshop and will be a guest at ECCC all weekend with a panel on Sunday. Our flight was filled with something like 60 Australian teenage middle schoolers who were traveling the northwest. I bought tix months ago and snagged Main Cabin Select which puts you right behind First Class. There's free booze and food but here's a tip, order as soon as you sit down because they ran out of Jack Daniels and Glenfiddich quick!

Landing in Seattle it was beautiful and pushing 70 degrees as we walked to the convention center to get my press pass and then around the Pike district for happy hour and supplies. I had scouted out RN74 on my Happy Hour hunt and as soon as we sat down we spotted some copper cups filled with Downtown Donkey's, their version of a Moscow Mule. Two of those please! But with Jameson. Alas, disappointment, it was literally a cup full of crushed ice and just really sour. Would have been better off going across the street to YardHouse because I know their mules are excellent. Food was good though, Deviled Eggs, Chinese Pigs in a Blanket, Sliders and the especially the Duck Fat Fries. Crisp, delicious with three dipping sauces, mmmmm. On Thursdays they also have oysters on the shuckin' shell but I've never had good experience with raw ones. Nice joint, good food but a little pricey for what we got.

Meeting up with some friends over in Belltown near the Space Needle we hit up tiki themed dive bar Lava Lounge. Apparently Ginger Beer is big in Seattle with many local brands. But they're like pop, not alcoholic like Crabbie's so no black out juice tonight...They had Street Fighter II: Championship or Turbo Edition in the back but I didn't get a chance to play. Right next door was Shorty's a Coney Island style joint with pinball machines as tables, who knows how old hot dogs on a 7-11 style roller thing and a room full of pinball machines along with a back room bar with awesome Captain chairs.

I tried my hand at X-Men because it had Jim Lee art but there were some old school ones like Centaur as well as Indiana Jones, Wizard of Oz and The Walking Dead machines. Cool spot. Again, Ginger Beer as a mixer versus a double booze hit. Then it was off to dinner at Buckley's, a sports bar with TV's at your table. A little much but people be loving that sportsball. A great kick off evening to what is sure to be a fun weekend. Pumped to see the exhibition floor and panel with The Flash John Wesley Shipp!

Cable Sunday: Michael Biehn

The X-Men film franchise started as a major gamble for studio Fox which saw 2000's first film given a decent if unspectacular budget of $75 million, a few familiar faces in the cast and a relatively new director in Bryan Singer. Production was shut down in the middle of shooting to reassess and scripts from the likes of Joss Whedon, Ed Solomon and finally David Hayter had piled up for years. It was a $300 million grossing hit and paved the way for six follow ups in 14 years. The 80's set X-Men: Apocalypse begins shooting soon as does the lower budgeted take on 4th wall breaking, Merc with a mouth Deadpool starring Ryan Reynolds to follow last year's near $750 million dollar grossing Days of Future Past. Last summer, rumors of an X-Force script began to circulate and it was confirmed that Never Back Down and Kick-Ass 2 filmmaker Jeff Wadlow was penning a draft. Then came reports that Channing Tatum would pick up the bo staff, playing cards and New Orleans accent of X-Man Gambit for his own standalone flick.

An X-Force flick could work pretty well as the team is a bit more rough and tumble than Professor Xavier's crew. Instead of a soothing, intelligent and mentor style leader, X-Force is headed by the gruff and calculating soldier from the future Cable. With a scarred face, cybernetic arm and always carrying a huge gun, Cable was designed to be the opposite of the wheelchair bound, talk and think it out Charles. This guy is all about the action and taking down the bad guys "cold, hard and mean". Training his young mutants to be more of a military style response team, X-Force runs into the Mutant Liberation Front and their pack of super powered terrorists working for dude in a ton of armor with a superiority complex, Stryfe. X-Force is made up of Cable's chick and comrade in battle Domino, high flying southern guy Cannonball, the blood thirsty wolf-woman Feral, explosion tossing smartass Boom Boom, native tribesman strong dude Warpath and man from another planet/dimension bred to be a warrior Shatterstar. Whipping this rag tag team of outcasts to fight an organized and maniacal threat to humanity is total fodder for a high octane, fast moving action flick filled with hand to hand battle and CGI spectacle. With more of a focus on close quarter combat, you could build up some match ups and showdowns between characters heading into the I'm sure to be explosion and destruction filled finale. Which would be a nice change of pace from previous superhero flicks where our team fights an army of faceless goons a la X-Men: The Last Stand or The Avengers.

Way back in the 90's, Wizard Magazine nominated Clint Eastwood to play Cable in a yet to be produced X-Men movie that also included Michael Biehn as Cyclops, Dolph Lundgren as Colossus and Jean-Claude Van Damme as Gambit. Creator Rob Liefeld has read the first draft of X-Force and could barely contain his excitement. While production is still a ways off, The Liefeld dropped names like Tom Hardy, Jon Hamm and Stephen Lang for Cable. It's an interesting role to fill as Cable is an older character; white haired and grizzled with scars on his face. Not exactly Hollywood's favorite casting call. Tom Hardy seems a bit young for it while Hamm has the jawline if not the presence. Stephen Lang is a pretty close call given his role and appearance in Avatar as the hard ass, pumped up military leader with scars down his head. But for me, I can't help but think this is a role for the one and only Michael Biehn. Given Cable's time traveling history, sent back to prevent an incident with future repercussions is at least in passing similar to Biehn's Kyle Reese in James Cameron's The Terminator. If you'll recall, Skynet's machines have risen, wiped out most of the human population with nuclear strikes and uses the remaining survivors as labor. Leader of the resistance John Connor is a pain in their side so they send a killing machine back to 1984 to kill his mother Sarah before he's born. Soldier Reese travels back to protect her, essentially giving his life for a woman he's never met but fallen in love with through stories and a single photograph.

From there Biehn donned a headset, body armor and giant Pulse Rifle as a space Marine in Aliens and has played his fair share of gun toting and futuristic cops, soldiers and secret agent types in flicks like Navy Seals, The Rock and Planet Terror. Now pushing 60, the Biehn is the perfect age and amount of grizzled to play Cable. His memorable baggage as a time traveler and space soldier make a nice through line to the metallic mutant. Still lithe and athletic, it's not hard to imagine Biehn pumping up a bit and donning a white wig and fake scars while running around barking orders, firing off future guns and being the hard yet reliable heart of the upstarts. Just think the vulnerable physicality of Kyle Reese with the taciturn hard ass-ness of The Rock's Commander Anderson only with shoulder pads and a metal arm. Since Cable is always dealing with potential futures and alternate time lines, it would be a weird fan theory full circle as X-Men was originally set up at Carolco at Cameron's request before being sold off to Fox. Biehn would have been an awesome Cyclops in a Cameron produced X-Men film from the 90's and Cable is actually Cyke's kid in the comics so if he couldn't play the father, how about the son?

Unfortunately X-Force is stuck in development as producers are leery about having more than two X-Men related movies in a year given the glut of superhero flicks from Marvel, DC and Fox's own Fantastic Four hitting theaters in the next few years. After casting hot at the time Taylor Kitsch as Gambit in the woeful Wolverine Origins flick they've upgraded to Tatum for a follow up so I'm sure they'll go with someone with more heat for Cable if a flick ever does get made.  But here's hoping Biehn returns for Alien 5, it's a huge hit and it leads him right into X-Force.

Body slide to HQ...

Cable Sunday: Paneled Goods

After picking up the collected Cable: Classic at Long Beach Con and a fistful of X-Force from Earth 2's parking lot sale, I was ready to strap on my shoulder pads and pack my belt and suspender pouches full of 90's action awesomeness. The 90's are dubbed the most action packed decade in comic book history. And for good reason. With splashy, vibrant, kinetic art from the likes of Jim Lee, Rob Liefeld, Todd McFarlane, Mark Silvestri, Ron Lim and a host of others ruling the sales charts, the 90's became the era of the artist. Men were hyper muscular and women super impossibly hot in poses looking like they were always flying and action that screamed spectacle and splash pages. Created by Louise Simonson and Rob Liefeld, Cable was to be a "man of action" and opposite to the wheelchair bound, tolerance spouting Professor Charles Xavier from the X-Men. Cable: Classic collects his first full appearance in 1990's New Mutants # 87, two part series Blood & Metal and the first four issues of his own ongoing series.

The action starts with a force from the Mutant Liberation Front storming a secret facility to bust out some captured young mutants. After the super powered strike force of Wildside, Forearm, Reaper, Strobe, Tempo and Thumbellina take out the facility guards, from nowhere a huge man decked out in giant shoulder pads, future guns, a metal arm, spiked bracelets and a big scar over his eye appears. This is Cable, time traveling soldier from the future. We don't get too much of his personality besides being a hardass tracking down the same mutants the MLF is after. We're introduced to the armored, masked and spike covered Stryfe, leader of the Liberation who is out to prove mutant superiority over humans by breaking into their facilities after his demands are not met. Cable nearly takes out Stryfe's group single handed but ends up losing his mechanical hand and the MLF breaks out the mutant captives.

From there we move into 1992's two-shot, Blood & Metal from Fabian Nicieza and John Romita, Jr. Here, we go back in Cable's past as a member of the Wild Pack, also known as Six Pack along with Domino, G.W. Bridge, Garrison Kane, Grizzly and Hammer. The bandanna wearing, shoulder pad suited and heavily armed unit lands in Iran, wasting a ton of hostile locals about to execute some hostages. That's just a cover though as the hardcore group is actually there on behalf of a rich corporation and blow up a competitor's building. Cut to years later and the team has been disbanded, some members being permanently injured from a job Kane believes Cable turned on them and left them to die. Cable tracks a team of MLF'ers stealing artifacts from various parts of the world and across numerous centuries on Stryfe's behalf. After getting caught in an explosion on the botched mission; Kane is now the armored up, metal armed, hand disengaging Weapon X and tracks Cable down to his safe house in Switzerland where the two brawl through the house and outside in the snow, hitting each other with trees. Kane joins Cable in his quest to stop Stryfe from collecting the artifacts on the condition that the future warrior help their wheelchair bound former comrade Hammer. Cable had to shoot Hammer in the back on the disastrous mission to stop him from jeopardizing it. That's leadership, kids. The two jump to the future where Kane is made whole again with the intention of bringing back some technology to make Hammer walk. I really dug Blood & Metal, John Romita, Jr's art is very clean and dynamic. The over the top costumes actually look somewhat practical and streamlined here versus Liefeld's early mish mash of pads, bracelets, belts, pods and ammo. The black ops style military group was a key theme in the 90's with many of your Image Comics being based on military teams who imploded on that one bad job and how members come back to haunt the others years later after feeling betrayed or left behind.

The action was pretty interesting as you had guns and mutant powers, robot soldiers, mech suits, ninjas and the Silver Samurai! Cable is fleshed out here as being a tough leader who makes decisions for the best of the mission rather than his team leading to future conflict. Then throw in his turtleneck lounge attire when at his tech loaded safe house and you get more than just some brooding grunt. I'm still not exactly sure what Stryfe's endgame is but you see that he and Cable are spitting images of each other, clones, twins or something or other. All of this Six Pack stuff comes back to haunt Cable in his ongoing series as G.W. Bridge went on to work for S.H.I.E.L.D. and was sent to capture his former teammate, Hammer becomes a revenge seeking threat and Cable totally makes a chick cry after they got busy when he thought she was someone else...Key phrases like "stab his eyes" (son of a bitch?) and "body slide by" (call for teleport) are prevalent.

Over in 1991's X-Force # 1, Cable is now leading the former New Mutants as their own unit of part rebels, part heroes consisting of the flying Cannonball, strong man Warpath, wolf like chick Feral, explosion tossing Boom Boom and bred to be a warrior alien Shatterstar. It's all action for the first 21 pages as X-Force locates and attacks a Mutant Liberation Front base, again confronting Stryfe but losing him, again. Hands get chopped off, bodies are slashed, POONTH! shots are fired, Stryfe teleports and X-Force body slides out. We learn that in addition to Cable's mechanical arm and battle experience he actually has some telekinetic powers as well. It's interesting to see how Rob Liefeld's artwork changed between New Mutants and X-Force as I think it got worse. I'm not sure if he was working under a deadline or just tried to do too much but X-Force # 1 just isn't as clean as his previous work, everyone has angry expressions on their faces and nobody has pupils. Meaning it's just a bunch of slanted white eyes...The haircuts are 90's atrocious mullets or big square do's and body language has become increasingly awkward. While Romita, Jr was able to streamline and make the outfits look somewhat plausible, Liefeld draws Cable with outrageous dimensions, outlandish shoulder pads, arms and thighs three times the size of his head making it look like a guy in an exo-suit of sorts. Still you get lots of action and banter with appearances from Juggernaut, Black Tom Cassidy and Spider-Man in the first half dozen issues. Cable's purpose is more or less highlighted when he states: "We're here to do what the police and the Avengers-types are unwilling to do -- put an end to this situation -- cold, hard and mean!" Superb.

X-Force # 1 was packaged with a limited edition trading card and became the best selling comic book of all time with a staggering 5 million copies sold. Liefeld was featured in a Levi's 501 jeans commercial directed by Spike Lee where he talks about drawing comics since he was 7 years old and never receiving any formal art training. X-Force's record would soon be broken by Jim Lee and Chris Claremont's X-Men # 1 which sold over 8 million copies with it's gimmick of having 5 different covers. Liefeld, Lee and many of Marvel's other superstar artists would then disband from the mother company and form Image where they could have more creative freedom and own the rights to their characters and art. Liefeld's Extreme Comics would produce best seller Youngblood and land the young artist on Dennis Miller's late night chat show. Brigade was another super powered team oriented book with a Cable looking leader where several of the characters die in the first issues through getting their intestines punched out or fingers sliced off. Liefeld would be kicked out of Image/resign after consistently late shipping books and poaching talent from other in house banners. In 1996, Liefeld and Lee returned to Marvel to help launch Heroes Reborn where Captain America, Iron Man, The Fantastic Four and The Avengers all died in a universe shaking battle and be brought back in new, alternate reality universes. Cable would pop up there too.

In 2004, Liefied and Fabian Nicieza relaunched X-Force with Cable still hanging/training/banging with Domino but being haunted by Skornn, a long dead being that feeds off mutants like humans eat cows. Warrior from another planet/time/dimension Shatterstar is training with some monks but signs up for some mindless violence because that's what he does. You see, Cable was originally sent back to our time from a thousand years in the future to stop some kind of catastrophic mutant event. But even all those years ahead, mutants and mankind are still at odds. Some ninja looking baddies from the future aka Agents of Humanity show up looking for The Five Fingers of Annihilation sword, the only weapon that can defeat Skornn, it's up to the reunited Cable, Domino and Shatterstar to stop them. With jump kicks, double bladed swords and punches to the face. In subsequent issues we catch back up with Cannonball, now living a peaceful life on a farm in Kentucky while Tabitha Smith aka Meltdown and formerly known as Boom Boom along with Warpath rejoin the team. Liefeld's art is substantially more palatable years on with cleaner lines along with less ridiculous body shape and sizes. Backgrounds are a little plain or non-existent but pupils are more frequent and hair styles are much better. A scene from the future takes on an ethereal and shiny quality with coloring that looks more akin to paints than vibrant and smooth computer coloring. While the story jumps back and forth between eras, it never gets too confusing or clunky.

Phew! Some fun reading with lots of ads for Marvel shirts and toys that made me miss my awesome double sided Jim Lee X-Men shirt from 4th grade. It wasn't as extreme as Brigade though as those comics just got me amped up and the test (testosterone) flowing making you want to lift weights and punch holes in walls. Until next time, body slide by one...

Con-Man: Long Beach Comic Expo

After a night of birthday celebrating it was down to Long Beach for the Comic Expo on Saturday. This is usually the smaller of the two LB shows but this year expanded so much that they had to move it to another section of the convention center. There was some science technology summit or other happening where LBCC usually is so we were around the back by the Performing Arts Center and Aquarium. Replica cars from Knight Rider, Jurassic Park, The Blues Brothers and Back to the Future welcomed you, it was a breeze to grab tickets and head inside. Right away we saw one Lance Henriksen at the non-RAW, RAW booth with The Lone Gunmen actor Dean Haglund along with a local artist. I immediately searched the floor for NECA's new Bishop figure and took it over to Mr. Henriksen to sign. Having already bought his book last year, The Lance was still just too Damme cool and gracious, chit chatting about Alien 5 (He hasn't heard anything) and how he actually hadn't seen the new figure yet. Again, just a great guy and here's hoping I put together an event he can attend. Why was it the non-RAW, RAW booth? Well convention specialist Mike was on hand, the RAW Studios banner was up, but neither Messrs Thomas Jane or Tim Bradstreet were attending. The Jane is still shooting new show The Expanse up in Canada while Bradstreet was also out of town. Here's hoping the duo return to Long Beach soon as their previous years have been outstanding with screenings and panels.

From there we walked the floor which was nice and padded with carpet checking out comics, toys, arts and crafts, Big Trouble in Little China ReAction figures and Funko's were around. I recognized some vendors from previous shows, guess we're becoming regulars huh? The floor boasted over 165 exhibitors and artists but strangely didn't feel much bigger than previous shows. Star Wars Laser Tag was set up in the back, there was a signing area where Futurama's Phil LaMarr and martial arts heroine Cynthia Rothrock were set up near a new addition, video games projected on a big screen. Street Fighter and Super Mario Brothers action ensued. Writing legend and X-Men mainstay Chris Claremont showed up and had a line at his table the entire day.

11:00 AM marked our first and only panel of the day, G.I. Joe Cartoon Voices! Hosted by combat fatigue clad Flint aka Bill Ratner, the panel included Keone Young (Storm Shadow), Hal Rayle (Deep-Six), Mary McDonald-Lewis (Lady Jaye), Jerry Houser (Sci-Fi) and Neil Ross (Shipwreck). There was a great camaraderie between the actors and they started things off with a reading of a funny G.I. Joe skit where Cobra ninja assassin Storm Shadow is actually trying to help the Joes. The panel included much talk of working for Wally Burr who would push his actors to provide a realistic, non-obvious cartoony performance in sessions that went 7-8 hours versus the typical 4. Basically if you didn't leave blood on the music stand, you weren't doing it right. Burr also strove for authenticity and instead of having an actor play ethnic, he'd just go out and get a person from the community aka Asian or black characters being played by Asian and black actors. Many a tale spoke of Megatron voice actor Frank Welker who would help the young guys while also being able to give you the sounds of a rocking chair or a male or female dolphin! Lewis was proud that her character wasn't fetish-ized and her action figure was the first female toy to have short hair. Lewis was great, very cool, very smart and just a ball of fire. She made sure everyone was involved during the panel and offered some terrific insight into being a positive force in the world. This was Houser's first time at a convention and he was really funny with a voice you swear you recognize but don't know why. Rayle went into Deep-Six and I immediately thought he was doing Charles Bronson, which he was! Rayle based the voice on Bronson as Tunnel King Danny in The Great Escape.

There was some enlightening stuff like the script girl encouraging the cast to buy Hasbro stock as the toy giant knew FCC regulations were changing so the cartoons could have commercials for their products during the run-time essentially make it a 30 minute advertisement. Ratner said if he would have invested $1,000 dollars in 1985, it would have been worth $28,000 just a few years later. Jokes about their figures selling poorly leading to being featured less on the show were common place during sessions of 10-12 voice actors. Houser said Sci-Fi was really good at sitting still in silence...I asked when the panel realized they had jumped generations and started going to cons with Lewis and Ratner saying they'd only known about the show's impact in the last ten years. Frank Welker couldn't make it but doesn't believe people still love the shows 30 years later. Rayle has only been going for a few years and is headed to Australia for a show soon. A few passionate fans spoke of their love for the show and Lewis shared that the percentage of first responders and EMT's in the Joe community is extremely high when compared to the rest of the population. She and Ratner also attended the official G.I. JoeCon where they watched the new live action movies and Lewis mentioned that there wouldn't be cons for those in 30 years. Young was asked about working for supposed tough guy writer-director Kurt Sutter on Sons of Anarchy to which he responded he'd worked with guys like Billy Wilder so Sutter was nothing and that was the point of being a professional. I ran into Young in the hallway after and asked him about Surf Ninjas, he said it was a lot of fun and they shot it in beautiful Thailand. On and on it went, just a really great time, lots of laughs, stories and heart. If that weren't enough, Neil Ross gave next week's Sunbow Celebration a shout out, Yo, Joe!

It was off to get our Dublin Donkey's on across the street at The Auld Dubliner and next door to collectible store Geeky Mamas where they have an awesome selection of toys old and new, accessories and clothes. I totally meant to get a Transformers or Joe shirt for next week but didn't see any good ones...Back at the show we walked the floor some more, checking out artist alley and digging through random boxes. That Hashtag Show is coming to Sunbow Celebration and I introduced myself, cool guys who like Long Beach the same as I do for it's chill vibe, guest approachability and nice surrounding area. Grabbed a few Captain America Annuals and Sgt. Rock issues from a 3 for 1 booth as well as a collection of time traveling mutant soldier badass Cable for a solid $5! Created in "1990, the dawn of the most action-packed decade in comic-book history" by Louise Simonson and wunder-kid Rob Liefeld. "Body-Slide by one". I would have liked to stuck around to see Claremont's panel, it had been a full and fun day so we headed home. Just when I thought Long Beach Con wasn't evolving, they shut my face by putting on a terrific show. Here's hoping to an even bigger one in the fall. Bring on Emerald City!

Snow Screen: 50 Shades of Grey, Kingsman & American Sniper

Lotta movies out there right now, lotta movies. This past weekend saw an interesting one-two punch of literary adaptions hit theaters: erotic Twilight fan-fiction turned best seller 50 Shades of Grey and graphic novel adaptation Kingsman: The Secret Service. Grey made waves with it's bondage and blind fold motif while Kingsman was a throwback to big spectacle spy flicks from the 60's. Both performed admirably at the box office and surprisingly, both were rated R.

Grey is the story of meek English Literature major Anastasia Steele (Dakota Johnson) and her relationship with guarded young billionaire Christian Grey (Jamie Dornan). Basically Grey is a messed up youth with a junkie mother that was abused as a child and the only way he can find sexual gratification is through being a dominant to a submissive using assorted handcuffs, blindfolds, whips and the like. Steele is intrigued and swept off her feet by Grey but has to pump the brakes when the seemingly weird and unfamiliar fetishes start coming out. There's plenty of romance and sex as I found the flick surprisingly watchable and telling a familiar story. It's literally a romantic comedy about a girl meeting a guy and the two meeting in the middle to make it work. Instead of zany, accident filled set pieces to show how much the duo cares for each other, you get sex scenes with hands being tied in ties, or bound with ropes. Sam Taylor-Johnson crafts a classy and sleek looking picture from Kelly Marcel's adaptation of E.L. James' hit novel. Steele is your typical awkward duckling waiting for her prince who just happens to be a dammaged goods billionaire. As I thought the film would simply depict her becoming Grey's sex slave in return for a jet set lifestyle, the flick does a good job of having Steele stand her ground as a consenting adult open to experimentation but not exploitation. Dornan's Grey is like a less serious version of Michael Fassbender in Shame, addicted and disturbed but it's not as feel bad/awesome as all that jazz. Pacific Rim's Herc Hansen Max Martini shows up as Grey's driver but doesn't do or say much. Would have been interesting to see Martini reunited with original Christian Grey and Pac Rim co-star Charlie Hunam in such a different film.

Kingsman is the latest from Kick-Ass and X-Men: First Class director Matt Vaughn. This time around we get Colin Firth as secret agent Harry Hart, a member of a secret society that fights global threats. He takes young Eggsy (Taron Egerton) under his wing after the lad's dad is killed on a mission. Like James Bond, Jr., Eggsy trains to become a Kingsman who are fighting the Richard Branson/Russell Simmons with a lisp tech mogul baddie Valentine (Samuel L. Jackson). Utilizing cell phone waves, Valentine plans to brainwash the world into killing itself through violent urges. The flick runs a bit long but is more or less a ridiculous good time, bordering on irresponsible with loads of gratuitous violence and hanky panky talk. A fantastic supporting cast includes Mark Strong, Mark Hamill and Michael Caine. Colin Firth is the latest older leading man to go Liam Neesons in Tooken to kick some ass and looks pretty good doing it. Like Dolph Lundgren said, these days it just takes a few stuntmen, a good cameraman, editing and a solid choreographer to make anybody a decent action hero.

I've been wanting to see American Sniper for a while now and was not deterred by any talk of attacks on subject Chris Kyle's character or the fake baby. A pretty simple story about a guy wanting to serve his country and how that affects his life, wife and family for good and bad. Bradley Cooper is solid as the Navy's deadliest sniper and Navy Seal as he serves four tours in Iraq facing terrorists, human butchers and snipers. The film goes back and forth between the battlefield, his home life between tours and his relationship with wife Taya (Sienna Miller). As a film, I found it to be a well done, rousing, scary and a bit sad look at the deeds and sacrifices the men and women of the armed forces make to protect the freedom of the rest of us. Whether or not Kyle had emotional or mental issues or if a guy should really be celebrated for being a skilled killer I can't comment on. I didn't find the film to be jingoistic or war mongering in any way and it didn't attempt to portray Kyle as a squeaky clean superhero. Clint Eastwood delivers the goods on a reported $60 million dollar budget with shootouts, explosions, lots of time in Iraq and sand storms, etc. The Magnificent Seven and Now & Again star Eric Close shows up for a quick scene but I was surprised that most of the remaining cast was filled with unfamiliar faces. Randomly, Kyle's Marine buddy Marc Lee is played by Luke Grimes who was also in Grey as the billionaire's goofy brother.

With the Oscars this weekend and not much interest in trying to see all the Best Picture nominees, I figure if I can check out The Theory of Everything this week I'll be all caught up. Well besides Hot Tub Time Machine 2 because that looks hilarious. Here's hoping for a Michael Biehn as Kyle Reese cameo to go along with all the time jumping and references from the first flick.

Gotta Play! Blipsy Bar

If you've been paying attention you know I have a thing for sky high dining and drinking.  I also have a thing for arcade games.  My mom used to take me to the mall on Saturday's so she could shop, I'd hit up Aladdin's Castle and play stuff like Street Fighter, Final Fight, Avengers, Teenage Mutant Ninja Turtles or the G.I. Joe run and gun.  With the rise of home gaming, arcades took a tumble in the 2000's and you'd only find machines at a pizza parlor, bowling alley or Dave and Buster's style establishment that blended gaming with food and drinks.  On the rise today are Barcades, where entrepreneurial 30 year olds mix video games and booze so you can relive your childhood.  Eighty-Two in Downtown has had great success in it's short lifetime while Neon Retro just opened up in Pasadena where you can play unlimited games and pinball for a flat fee but no booze. Up-Down in Des Moines is about the best example of a barcade I've encountered as you've got a full bar, 80's and 90's inspired wall paper and games of all kinds for fighting, driving, shooting along with physical attractions like skee-ball and giant Jenga.  Ground Kontrol in Portland is pretty cool too as they had the giant 6 player X-Men along with Alec Baldwin's The Shadow pinball.

I feel like Blipsy's has probably been around for a quite a while though as I came years ago and is far from the clean, shiny and club like Eighty-Two.  Blipy's is basically a dive bar but with video games.  It's small, dark, cramped and hot.  The outside has Pac-Man inspired decor and inside you'll find He-Man and the Masters of the Universe prints and a Christopher Reeve Superman poster on the wall while a big ass Cobra Terror Drome hangs upside down from the ceiling like a chandelier.  There's a quarters machine all the way in the back and it's so dark you can hardly see where to insert your dollar.  Blipsy's sticks to more classic 80's style games like Galaga, Gauntlet, Punch-Out, Rampage and Ms. Pac-Man without a shooting or fighting game in sight.  That's where it loses points for me but hey, it's their theme.  Most games cost a quarter and while I stretched that out on Galaga and Ms. Pac-Man, the joystick didn't work too well for WWF's Superstars as I couldn't select the Ultimate Warrior then got counted out when I was unable to get back in the ring!  Located on Western Avenue just past Beverly Blvd across from a giant Kentucky Fried Chicken, you can totally head down the street a little and hit up some Korean BBQ.  Just take Oxford, it's faster.

Fox Friday: Dawn of the Planet of the Apes & The Fault In Our Stars

A very randomly special Friday here at Dammaged Goods as we look at 3 seemingly sci-fi films that have little to do with one another besides being released by Fox.  First we'll check out #1 flick in America, Dawn of the Planet of the Apes, the follow up to 2011's quiet yet surprisingly solid reboot Rise of the Planet of the Apes.  In that installment we met ape Caesar who after being injected with a test drug for Alzheimer's begins to gain super intelligence and leads an uprising.  Taking place 10 years after, Dawn finds us in the remote woods outside San Francisco where Caesar leads a community of intelligent apes in a peaceful existence.  Some humans wander into their territory looking for a dam that is their last hope to generate power and with it, their hopes at rebuilding society after the human created but Simian named epidemic has wiped out much of society.  From there, Caesar clashes with anti-human members of his tribe while assisting the survivors lead by Jason Clarke's Malcolm.  Of course common ground is found as tensions rise and before long it's another ape invasion resulting in Caesar and Malcom needing to work together to restore order.  While the film isn't boring or not enjoyable per se, it just wasn't very engrossing either.  The story beats are very basic and familiar and while the apes f/x looked amazing, I didn't give a crap if the humans lived or died.  While I appreciate films like Captain America: The Winter Soldier, Godzilla, X-Men: Days of Future Past and now Apes trying to give audiences a little more story and emotion with their spectacle, it hasn't been wholly successful.  The best example is Cap's very familiar story that basically takes Three Days of the Condor's paranoid and violent government controlling conspiracy themes and adds a whole lot of action and technology without actually addressing or dissecting those issues and questions from 1975.  The worst example is probably Godzilla which relegated the title star to a minor role while we ran around with some very uninteresting characters for 90 minutes.

Another hit for Fox this summer was June's The Fault In Our Stars which cost $12 million yet opened up ahead of Tom Cruise's huge, $178 million sci-fi tentpole Edge of Tomorrow and to date has grossed $25 million more in America.  Worldwide though the action and visuals of Edge have given it a nice $100 million in extra ticket receipts.  Not that they are the same kind of film vying for the same audience, they just both happen to sound like science fiction films when Fault totally isn't.  While Edge was based on a Japanese Manga, Fault's source material is the 6th novel from best-selling author John Green published in 2012.  The story of teenage cancer patients Hazel and Gus, Fault explains to us early on that cancer sucks and the story being told will not be sugar coated.  However the runtime does include plenty of stock moments like the "meet-cute", the playful yet semi-fake sounding banter and a trip to Europe.  The Descendants' Shailene Woodley plays Hazel with humor and quiet grace while Ansel Elgort's Gus is goofy and open since he's survived a bout of the sickness and won't be silenced.  What's interesting is that these two play lovers here but previously acted as brother and sister in Divergent.  There's plenty of heart on display without the drama becoming too leaden or syrupy.  There were many a sniffle in the audience but I managed to keep it together.  I can only imagine that opening weekend with young fans of the book was Niagara Falls all day and night.  While it didn't hit me the chest the way that 50/50 did, Fault was a cute film dealing with serious issues and handled nimbly by director Josh Boone and screenwriters Scott Neustadter and Michael H. Weber.  Oh and Michael Biehn totally should have played someone's dad in the film.  Speaking of the Biehn, on this day in 1986, Fox released James Cameron's sequel to Ridley Scott's Alien, Aliens.  See how this all works?

Ask Me a Question: X-Men: Days of Future Past

After cinematic go rounds with Spider-Man and Godzilla, it was time to get even bigger.  X-Men: Days of Future Past is allegedly Fox's biggest greenlit film in history behind Avatar.  Why?  Because the filmmakers decided to make a huge summer tent pole action film that involved time travel, a period setting and two casts.  Two casts?  Yup.  If you've kept up with the X franchise since 2000's X-Men, 2003's X2: X-Men United, 2006's The Last Stand, 2009's Origins: Wolverine, 2011's First Class and 2013's The Wolverine, you know that the merry mutants call for a huge entourage of guys and gals with wondrous and freakish abilities who fight on the side of good and evil.  First Class served as a prequel with James McAvoy and Michael Fassbender taking over roles previously played by Patrick Stewart and Ian McKellan.  Days of Future Past blends the new and original cast while introducing yet even more new characters.  What could have descended into overcrowded camp a la Batman and Robin (which is still an enjoyable romp, what?!), Days does a surprisingly effective job of utilizing both casts to tell a grand tale ripped from the panels of the comic books.

Continuity has always been an issue in the X-Men franchise because the original was a difficult production that studio Fox didn't quite believe in.  When it was a success, it was more about getting to the next film than it was maintaining a cohesive timeline.  In The Wolverine, we saw Hugh Jackman's gruff, adamantium metal fitted bones and clawed anti-hero hanging out in Japan.  Upon return he's greeted by friends-enemies-friends Professor Xavier (Stewart) and Erik Lehnsherr aka Magneto (McKellan) who have put their differences aside to face a larger threat and need Wolverine's help.  From there we jump right into Days of Future Past with a small contingent of X-Men; Kitty Pryde, Iceman, Colossus, Bishop, War Path, Sunspot and Blink as they continuously evade seemingly unstoppable mutant hunting machines, The Sentinels.  I think it's Warpath who can sense them coming then Kitty transfers the consciousness of Bishop to his body a few days prior to warn his comrades so they can escape death.  Xavier, Magneto, Wolverine and old standby Storm catch up with the crew and think they can change the present by altering the past.  With Logan's healing factor and slow aging, he's the perfect candidate to go back 50 years to 1973 to help stop an assassination that will cause the Sentinel program to take root.

We then switch settings and casts for the 1974 scenes which sees Professor Xavier a shell of his former self after destructive results of First Class 10 years prior.  Logan, Xavier and Hank McCoy aka Beast recruit the super fast mutant Peter (Pietro in the comics) Maximoff (Evan Peters) to help break young Magneto (Fassbender) out of the Pentagon so they can stop the shape shifting Raven aka Mystique (Jennifer Lawrence) from taking out weapons and Sentinel designer Bolivar Trask (Game of Thrones' Peter Dinklage).  His death will trigger even more anti-mutant fervor while cementing the need for the Sentinel program.  The flick starts off well enough, just diving right in without much set up or explanation.  Even as a fan of the movies and comics, I was a little confused though as The Sentinel program seemed to come out of nowhere.  I suppose it could have all happened in the 7 year gap between Last Stand and Days but a little clarification would have been nice. 

Early scenes show the young X-Men using their powers to battle the Sentinels with Iceman finally flying around on ice bridges and slides.  Initial scenes with young Xavier and Magneto are very powerful with excellent performances from McAvoy and Fassbender. The 70's vibe provides some laughs with the fashion, water beds, etc.  Hugh Jackman looks swoler and striated as ever in his surprisingly lone shirtless scene but he does get in a heinie shot which I think is a first for the X-Flicks and does his usual likable loner act.  Going into the flick, everything we had seen of Quicksilver looked hokey and ridiculous.  His appearance seemed to be derived from Doc Brown from Back to the Future and the Carl's Jr ad of him eating a burger in super speed/slow motion was just awkward.  But in the film, it all works marvelously and he's one of the most memorable characters in the flick with arguably the greatest scene in the picture as he uses his super speed and mischievous sense of humor to break Magneto out.  In the comics, Mags is his father and there's a throwaway line alluding to it.

With the two casts jockeying for screen time, I was slightly astonished that much of the film takes place in the 70's with the First Class cast and Wolverine in a bit of a supporting role.  I figured it would jump between time lines with conflicts reflecting each other a la Inception but for the most part, the present day cast is confined to what seemed like only a handful of meaty scenes which don't really utilize or showcase characters like Kitty Pryde, Iceman and Bishop or the actors who play them.  That's actually a departure for this series that has always been so Wolverine centric and then gave Storm a boost at the expense of Cyclops when Halle Berry won an Oscar.  There are some great cameos throughout and the film ends on a high note that gets you pumped for future installments.  If you're going to see this, forgo the post-conversion 3D as it adds nothing to the experience.  NOTHING.  The Arclight's glasses are incredibly heavy and uncomfortable and they're battery operated so you get power flickers too boot.

After the film, producer Lauren Schuler Donner and Quicksilver, Iceman and Bishop actors Evan Peters, Shawn Ashmore and Omar Sy participated in a Q&A that was streamed out to each Arclight location around California.  Some quick bites:

- Project was brought to Donner's attention by former development exec, she read Wolverine's bio in a series bible and loved him.
- X-Men was most difficult because they didn't know what direction to go, she shrugs off part 3
- Story hammered out by Bryan Singer, Matthew Vaughn, Jane Goldman and Simon Kinberg then bounced off of Donner and then Kinberg went off to write script.
-X2 writers Michael Dougherty and Dan Harris did a few tweaks and are coming back for X-Men: Apocalypse which is still in story development mode.
- Had a subplot where present day Magneto, Professor X and Iceman go to the Mansion to rescue Rogue (Anna Paquin) but was cut due to time restraints.  Will be finished and scored and included in DVD release.
- It was kind of a low key affair but Omar Sy was visibly excited to be there and won the audience with his love for the franchise, gratitude for the opportunity and French man charm.
- Evan Peters was offered the role flat while Ashmore had to audition 5 times back in 2000 and was cast as a different character before taking over Bobby Drake.
- Shooting the movie was like a family reunion and Sy's first day was working with Professor X, Magneto, Storm and Wolverine which also meant Patrick, McKellan, Berry and Jackman.
- James McAvoy is a practical joker and cut the cheese in the middle of a scene
- Scheduling nightmare as Jackman was promoting Wolverine, Ashmore on The Following, Paquin on True Blood, Patrick and McKellan starring in a play together, etc.

I don't quite understand all the loathe for X-Men 3.  Part of it stems from the casting off of director Brett Ratner as a talentless hack but they guy knows how to make movies look good, always has great casts and has made fun flicks like Rush Hour and Rush Hour 2 with enjoyable mass market efforts like The Family Man, After the Sunset and Tower Heist.  X3 isn't perfect, there's too many characters crammed in, Cyclops gets killed off after 4 minutes of screen time, blah blah but the same people who made Days, made The Last Stand and had no problem singing it's praises on the DVD features and commentaries.  After director Matthew Vaughn jumped ship thinking he couldn't do what he wanted to do in the limited time frame, Ratner came in with little prep and made a perfectly fine X-Men movie because let's face it, X-Men isn't a masterpiece and Origins: Wolverine is downright crap with it's shoddy f/x, nonsensical mutant cameos, poor production values and unfulfilled potential.  While people go see Marvel marathons, I seriously doubt you'd get too many people willing to sit down for a triple feature of X-Men movies.

The Arclight does stuff like this all the time I feel but this just felt underwhelming.  From the eh moderating to the volume of the microphones being barely audible to the 20 minutes to get out of the parking garage, it was just like all the energy and goodwill from the film had been sucked out.

(Pre) Con-Man: WonderCon 2014

Next Friday, Anaheim hosts WonderCon for the third year.  Originally held in San Francisco's Moscone Center until remodeling sent WonderCon down to the land of Disney.  Even though construction is over, apparently Comic-Con International (CCI) and Moscone couldn't come to terms on dates for the show.  While they'd like to get WonderCon back to San Fran, for now, we get to enjoy two huge comic and media conventions in Southern California.  The difference between something like WonderCon and Emerald City Comicon is that CCI is a non-profit organization celebrating the creative arts.  While celebrities are on hand for signings, panels and greeting the fans, WonderCon isn't based around the business of exploiting them for profit.  Instead, you have a plethora of exhibiters hocking swag and memorabilia while programming runs the gamut of animation, film, comic books, writing, LGBTQ, self-publishing, cosplay, copyright law, advertising, music, editing and much much more.

In 2012, WonderCon played like San Diego Comic-Con light as studios trotted out their early summer pictures such as Abraham Lincoln: Vampire Hunter, Prometheus, Lockout and Battleship.  Of course, none of those films did particularly well so 2013's show saw a marked decrease in studio presence.  NBC's Hannibal was heavily advertised but I don't recall any tent pole flicks making the rounds.  Even without the media hype, WC still brought in a healthy 56,000 attendees over three days.  This year, Batman's anniversary is getting the spotlight with numerous panels on the comic book and it's creators as well as the premiere of a new animated film.  DC superstar artist Jim Lee will be on hand to wow audiences with his quick pencil skills and general nice guy-ness.  Media wise, studios are coming back as Warner Brothers, Twentieth Century Fox, TNT and Sony will all be on hand to show off their latest projects.  I'm thinking we'll see sneak peeks of Godzilla, Edge of Tomorrow, Jupiter Ascending, X-Men: Days of Future Past, How to Train Your Dragon 2 and Dawn of the Planet of the Apes amongst others.

To knock it up another notch, there's usually a few surprise screenings around town, the local theater offers Con goers special prices and WC itself has secured discount tickets to Disneyland and Medieval Times.  We've signed up to take a Walt centric tour because it's not like we won't already be walking around enough but hey, be a Doer!

From WonderCon's sister in San Diego:

The Way We Weren't: James Cameron's X-Men

I always wondered what a "Carolco" superhero movie would have been like.  Carolco, if you'll recall, was the independent mini-major studio run by Mario Kassar and Andy Vajna then only Kassar, who overpaid for top talent like James Cameron, Roland Emmerich, Dean Devlin, Paul Verhoeven, Renny Harlin, Walter Hill, Arnold, Sly and Michael Douglas but gave us big budget, ballsy Hollywood epics like Terminator 2, Cliffhanger, Rambo, Total Recall, Basic Instinct and Universal Soldier.  In 1989, Carolco bought the rights to Marvel's X-Men comic book.  James Cameron was going to produce and his then wife Kathryn Bigelow was set to direct.  Bob Hoskins was the favorite to play Logan/Wolverine while Angela Bassett was tipped to play the weather controlling Storm.  Noted X-Men comic book writer Chris Claremont and the man himself, Stan Lee, visited Cameron in 1990 to talk X movies but were quickly derailed when Lee brought up Spider-Man.  Cameron's eyes lit up and Carolco ended up buying the rights to Marvel's web-slinger as well.  Cameron wrote a scriptment for Spidey and even storyboarded numerous scenes.  However, the bankruptcy of Carolco sent everything into a mess of litigation and by the mid 90's, X-Men went to Fox and Spider-Man to Sony.  Cameron had already moved on and was waist deep into Titanic.

Sigh, a 90's X-Men movie from the makers of Aliens, Terminator 2, Near Dark and Point Break?  It almost breaks the heart.  While giving a property to an eccentric, imaginative visualist like Tim Burton is fine and dandy, there's something to be said about handing it to a guy or gal who knows how to tell a good story, make it look interesting and have you on the edge of your seat as they take you on a pulse pounding, nail biting ride a la Cameron, Verhoeven, Harlin, Bigelow or Emmerich.  It probably would have had a lot more action than 2000's ok but kind of staid version to say the least and you could have gotten some strong and familiar actors to fill the roles.  Like whom?  Glad I asked!  Back in 1995, Wizard of Comics magazine posted their wish list for an X-Men movie cast.  Like the staff, I would have preferred Cameron to direct but Bigelow would have killed it too.

Professor Charles Xavier - Patrick Stewart.  Yeah, I'm cool with this.  Apparently so was Fox since he's about to play Professor X for a 6th time.

Lucas Bishop - Michael Dorn.  I'm fine either way with this choice.  Dorn has the voice and size to play the time skipping mutant.

Piotr "Colossus" Rasputin - Dolph Lundgren.  Hell yes, perfect casting.  90's Dolph had the physique and quiet strength to play the shy Russian farm boy who has super strength and organic metal skin.

Scott "Cyclops" Summers - MICHAEL BIEHN.  Even perfect-er casting than Dolph.  A calm, cool headed leader who likes to mix it up and is also an under the radar babe magnet in a 90's James Cameron joint?!  You couldn't ask for a better choice to portray Cyke.

Remy "Gambit" LeBeau - Jean-Claude Van Damme.  Fuck yeah!  A roguishly charming ladies man who fights with a bo staff and martial arts complete with a New Orleans accent?  Why would you ever think of Taylor Kitsch, Channing Tatum or Josh Holloway for this?  Boggles the mind.

Elizabeth "Psylocke" Braddock - Tia Carrere.  I'm ok with this, not sure what her action chops were but she was in movies with Dolph, Brandon Lee and Arnold so...

Ororo "Storm" Monroe - Iman.  Uh who?  Sorry, I'll take Angela Bassett's beautiful yet strong presence over some rail thin supermodel for this one.

Jean Grey - Nicole Kidman.  A pretty redhead with acting chops to play the lust of all X-Men that eventually goes crazy and destroys an entire population of aliens?  Yeah, I'm down.

Logan "Wolverine" - Glen Danzig.  Get the fuck outta here.  Bob Hoskins would have been fine.  Have him lose a few pounds but he would have been solid as the short, surly, beserking asshole of the team.

Cable - Clint Eastwood.  This one is a wash, I mean who better to play a grizzled, hardass, time traveling soldier?  He might have been a little old at the time but I'm having trouble conjuring up a suitable 90's alternative.

Erik "Magneto" Lensherr - Rutger Hauer.  Good choice.  Blade Runner and Buffy the Vampire Slayer's Hauer is great at playing that Euro-trash villain with equal parts menace and grace.  Ed Harris would be a good choice too.

Victor "Sabretooth" Creed - Clancy Brown.  Highlander's Brown has the size, voice and maniacal moxie to tear shit up as the eviler version of Wolverine.  "There can be only one!"

Cain "Juggernaut" Marko - Big Van Vader.  Pro-wrestler Vader had the girth sure but I think this is a villain you could have kept out of a 90's X-Men film.  Or cast a tall, muscular guy like Ralf Moeller to fill the role and shoot him at perspectives to make him even bigger so when Colossus defeats him, it's not an empty victory.

Emma "White Queen" Frost - Rebecca De Mornay.  Yup.  With 90's hot yet talented actresses like DeMornay, Kidman and Carrere around, this would have made a heck of a lot sexier X-flick than what we've been given with the actual movies.