Showing posts with label Live Goods. Show all posts
Showing posts with label Live Goods. Show all posts

Thursday, May 21, 2015

Live Goods: Noel Gallagher's High Flying Birds at The Orpheum Theatre

Time flies huh? Literally, we saw Noel Gallagher and his High Flying Birds in Downtown, Los Angeles last night nearly four years after seeing him on his inaugural solo tour in 2011. That show was over at UCLA's Royce Hall. Noel's second solo offering Chasing Yesterday has been doing quite well for itself on the sales chart and Mr. Gallagher is in the midst of a world tour. Heading downtown on a Wednesday night was not an exciting prospect but we met up with some friends at The Golden Gopher right off of Broadway and near the newly reopened Ace Hotel and Theatre along with The Orpheum. There were another couple theatres on the same street, The Rialto is now an Urban Outfitters while the others are closed up. I wonder what it was like back in the days when the stages were a bustling. You've heard me talk about Downtown before, while it's nice to see a renaissance happening, the place still looks like it's living in The Terminator's 1984, grungy, dirty, vagrant filled world.

After several dranks and some slices of pizza, we sauntered over to the theatre which was surprisingly not that busy outside. I grabbed a shirt from the merch stand and we quickly found our seats in the solid and ornate yet very intimate venue. Not sure if there was an opening act as some tunes were blasting from speakers and technicians were on stage gearing and tuning up. Before long, the band made their way to the stage and got right into Do the Damage, a fantastic track relegated to B-side status from Chasing Yesterday. A giant screen behind the band had visuals and close ups of the band with lyrics and whatnot in a nice touch. The seats were very close to the kind of small stage making it feel even more intimate for the 2,000 person crowd. It must have been three or four songs in before Noel greeted the crowd and he was chattier and more friendly than I've ever seen him.

Apparently the last time he was inside The Orpheum was for a Marilyn Manson concert with the eccentric rocker face to face with little brother, trouble maker and rock star Liam being quite the meeting of the minds. Tunes flowed fast and furious with tracks from debut album Noel Gallagher's High Flying Birds and Yesterday keeping things rolling. Noel attacked each song with surprising vigor and he looked much more relaxed than on his first tour when I just kept thinking he needed to let it go, open up and go for it. Lock All the Doors was fantastic live as was the self described "fucking brilliant" song You Know We Can't Go Back. The Riverman and The Death of You and Me brought things down a little, maybe swap them out for Some Might Say. Because it's awesome. Noel chatted with the audience from time to time, picking out goers who have attended many of his shows or asking "who's Ian?" when someone yelled out something about Liam.

Oasis favorite (not mine, I prefer their upbeat stuff) Champagne Supernova was a surprise and you could feel the energy in the room lifted by nostalgia. Digsy's Diner, a goofy yet fun song about lasagna from Definitely Maybe coupled with my favorite song from his first album, If I Had a Gun, closed things out beautifully.  After a quick break, The Chief, his second lead guitar, bass, drum, keyboard and brass players came back and launched into Oasis B-side The Masterplan, terrific Noel tune What A Life! and finally, the crowd crooning Don't Look Back In Anger. I wasn't excited, at all, two hours before the show but instantly came back to life as soon as Noel walked on stage and left the Orpheum temporarily deaf but foreseeably happy. Thanks, Chief, see you on the next one.

Monday, May 5, 2014

Live Goods: Humans From Earth Podcast w/ Joe and Anthony Russo

The latest endeavor from Nerdist and former L.A. Times and Entertainment Weekly writer Geoff Boucher is Humans from Earth, a monthly movie screening and podcast series.  The inaugural event was a showing of Slither with director James Gunn appearing after for Q&A.  Slither is a great horror-comedy flick about alien slugs that attack a small town but made little impact upon release in 2006.  You'll probably be more familiar with his work after this summer's Guardians of the Galaxy hits screens in August care of Marvel and Disney.

Humans From Earth is one of Nerdist's latest podcasts.  At WonderCon, Chris Hardwick mentioned they were going from 26 current programs to something like 50.  Taking place in the cozy Spielberg theatre inside the Egyptian theatre, writer/actor/director Jon Favreau kicked off the podcast series and ran 20 minutes late into Captain America: The Winter Soldier directors Joe and Anthony Russo's slot.  Being their first time out, the show has some kinks to work out such as the online ticket sales not working, the guest line up not being announced until the day before, our session started late but then ended on time thus cutting 20 minutes out of the advertised 60 minutes and so on.

It felt a little like Howard Stern as you had the guests, host, a kid reciting the birth and death dates of actors and a co-host on the side chiming in.  Boucher informed us he at one time had 14,000 comic books in his collection and handed a few out to audience members.  I can't recall which Russo brother was the bigger comic book fan as a kid but never loved Captain America.  He mentioned having to picture Steve McQueen as the Star-Spangled Avenger in his head in order to give the character more machismo and less straight laced Boy Scout earnestness.  It was an interesting choice as 70's Cap is of course the personification of Robert Reford because even though Steve Rogers has been through a lot like losing both parents at a young age, growing up during the Depression, being sickly, rejected from the Army then becoming Cap through a crazy science experiment, watching his partner get blowed up by a booby trapped rocket hatch, going into suspended animation and being revived in an era not his own...I don't think the character lets that weigh on him in an obvious sense.  His eyes are still wide and his mind open because he can deal with his issues on an internal, brooding level, not externally obvious like McQueen's chip on his shoulder.

Beyond that, there were some tidbits about Easter Eggs in the movie as the Brothers believe it's better to have them than not.  Their prop team is responsible for most, such as the jar of Newman's own pasta sauce in Redford's refrigerator.  The comic loving Russo cited The Winter Soldier run of comics as it's Dark Knight era and how important Frank Miller's work was to him in the 80's.  It was a fun 40 minutes and would definitely attend again if the guest list piqued interest.  Boucher invited the audience to stay for the next podcast featuring Fanboys director Kyle Newman but we were off to Glendale to see Bob Peak and Drew Struzan's movie poster exhibit!

Sunday, April 27, 2014

Live Goods: Aliens EXPOsed

The real reason that I wanted to go to Calgary Expo this year was because they were putting on a cast reunion of 1986's Aliens, one of my all time favorite films.  They've done these kinds of things before as Michael Biehn and Lance Henriksen are regulars on the convention circuit, someone from the cast will pop up to talk at a screening, etc but this time was even more special.  This would be the largest assembling of the movie's cast since production at Pinewood Studios in England 27 years ago.  Calgary Expo would mark Sigourney Weaver's first appearance at a show like this with a signing joining Con newbies Paul Reiser and Bill Paxton.  After seeing the previous night's Middle Earth EXPOsed, I really wondered how Aliens would play out.  Middle Earth was a two part chat with the casts from two different franchises in the same universe then ended with a three segment improve show.  With Aliens, I knew they wouldn't be doing any singing or dancing for us and figured it would roll out as a typical comic con panel only on a grander scale.  I thought it would be better if they brought out a few guests at a time so everyone got their spotlight and because bringing out 10 people at one time just gets messy.
Looks like organizer Emily Expo and company were on the same page as Star Trek: Voyager actor and Aliens fanatic Garrett Wang welcomed us to the Corral before Wang took over as host and showed a clip highlighting Drake, Vasquez and Frost; three of the Colonial Space Marines.  Actors Mark Rolston, Jenette Goldstein and Ricco Ross were trotted out to stage that was set up with alien eggs, a leaping xenomorph, pulse rifes and flamethrower courtesty of a local prop maker as they spoke about getting involved ,the training required, Rolston and Ross' competition in the gym and nightly pose offs which culminated in Ross showing the crowd he still had abs.  Rolston and Goldstein mentioned that the script had a short backstory for their characters; that they were conscripted for duty and would be serving for life, hence their strong bond in the film.

The second clip was all about Hicks and Hudson, the cool, reluctant hero thrown into command and the squawking comic relief.  I feel a disservice was done to Hicks' character though as they didn't show the APC wreckage/escape where he screams "Drake, we are leaving!" then blasts an alien in the mouth with a shotgun.  Michael Biehn and Bill Paxton came out to huge applause and it was just too much fun watching them with each other as they have worked together several times (this, NAVY SEALS, TOMBSTONE) and have some of the best parts in the film.  Wang was a pretty solid host but here I thought things got a little iffy as his inner fanboy took over and most of the spotlight went to Paxton.  We had already seen Paxton earlier and knew the guy had stories for days and he continued to tell them here.  One that was particularly great was that Mad Magazine did a feature spoof on Aliens and Paxton, being a huge fan, ran out to get the issue only to find that instead of making a caricature of his face, the artists just put a chicken head on his body.  Biehn was only asked a couple of direct questions, one about coming in late to replace James Remar thus playing the character softer and more vulnerable as well as being able to miss out on all the bullshit physical and military tactics training the rest of the cast had to endure.  The other was about his character in Cameron's follow up The Abyss and Biehn vigorously schooled Wang, with an assist from Paxton, that Navy SEAL Hiram Coffey was not a villain, just a misunderstood guy who was cut off from his chain of command, told aliens were going to attack and was suffering from deep pressure sickness.

In the third clip of the evening, we see company man Carter Burke and artificial person Bishop.  Paul Reiser was very funny and talked about not being a villain but a company man looking out for their best interests, not having any cool props like the Marines and being ostracized from the group which still happens to this day as Biehn lovingly gave him the middle finger.  Here again, Wang focused more on one guest than the other so the great Lance Henriksen was only asked one question and more or less looked uninterested in what was going on around him.  In the next clip, the audience was reintroduced to colony survivor Newt, played by 9 year old Carrie Henn who is now a school teacher.  Henn lamented that acting in the film was like her secret life as she never set out to be an actor and after the film's success was the victim of constant bullying from jealous classmates.  Henn went through high school and college without her closest friends knowing about her past until a story in People magazine hit newsstands.

Lastly, it was time for Ripley; Sigourney Weaver's signature role that lead her to being nominated for an Academy Award for Best Actress.  Which was news she found out while in a room with producers of Gorillas in the Mist meeting about the role.  Weaver was stunning and gracious while reminiscing
about the natural bond she had with Henn, working with brilliant yet Mr. Intense James Cameron, getting over her fear/objection of guns for the role and the fact that it's a good and bad sign that Ripley is still such a trailblazing character for strong leading women nearly 3 decades later.  Paxton told the audience how great a leader and calming an influence Weaver was on set while Ross will never forget when she urged him to call long distance to his wife in England at their impromptu cast party in her hotel room following the premiere.  Weaver revealed that she gave each cast member a bouquet of flowers on the day of their death scenes during production.  Her Galaxy Quest co-star Tim Allen is a huge science fiction fan and somehow bought part of the Aliens set for his screening room.  When Weaver put a jokey message on it, Allen was enraged.

A few audience questions and one from special guest Danny Glover!  From Predator 2!  Co-starring Bill Paxton! made the rounds asking what the cast kept from the production.  Rolston kept the bust of his scarred face, parts of his armor and whatnot that a collector offered him $100,000 smackers for but everything was sadly thrown out by his ex-wife.  Ross held onto his dog tags which he gave to a fan who wrote to him saying she was dressing up as him for Halloween.  Biehn says he wasn't smart enough to keep anything while Lance Henriksen has his original script with his tons of notes scribbled throughout.  When asked about the best piece of advice they'd ever received, most of the cast mentioned their father and basic advice like being who you are, getting back up after being knocked down and the like.  It was a fantastic evening and event, I just wish the people in Calgary weren't so large and that the seats weren't so small and zip-tied together.  My aching back!

Monday, March 31, 2014

Live Goods: Kings of Leon at Key Arena


Emerald City Comicon Saturday tickets secured, I sent an open invite advertising a weekend of good times in Seattle to friends.  One couple accepted and asked if there was any interest in attending a Kings of Leon concert.  If it was going to entice them to come up for the weekend, sure, let's go!  I immediately asked myself, "who the fuck are Kings of Leon"?  A quick Myspace search later (50 million free songs, do it) and "oh yeah, the Fire Sex song" realization hit me.  The show was held in the Key Arena, former home of the NBA Super Sonics and next to the Space Needle.  To prepare, milady gave me a KoL playlist of some of their popular tracks and their recently released 6th album, Mechanical Bull.

The formed in Nashville band led by brothers Anthony and Ivan Followill put on a solid live show.  Vocals were excellent and it was surprisingly not deafening loud.  Lead singer Anthony interacted lightly with the crowd, culminating in asking everyone to turn on their phones and light up the arena for a tune.  I can probably count the number of concerts I've been to on two hands so I don't know what passes for a good show these days. I also didn't realize that their catalog was so deep, providing enough low key energetic guitar based rock tracks for a 26 song set list.  Immortals, Super Soaker, Pyro, Radioactive, Don't Matter, Use Somebody and Notion all sounded great live.  I basically surmised that Sex on Fire would either be the last song of the night or they wouldn't play it at all as an artistic choice the way Oasis stopped playing Wonderwall live.

In addition to nearly 2 hours of music, Kings of Leon employed lights, lasers, vignettes of women, cars, flowers, etc to make every song seem like a music video.  It got a little dicey when one song had the bright stage lights pulsing rhythmically and seemingly inviting an epileptic seizure.  Into the final stretch of their tour, Kings of Leon put on an excellent performance and was a nice addition to our awesome time in Seattle.

Danny!


Monday, February 10, 2014

Live Goods: Expendables II, Premiere!

Today, two friends expressed their surprise to me that a third Expendables movie was in the works.  I explained to them that Mel Gibson, Wesley Snipes and Harrison Ford were joining the 80's and 90's cinematic tough guy party and how I was pumped for all the press coverage August of 2014 is sure to hold.   It reminded me of the awesome summer I had in 2012 when The Expendables II was being released.  My birthday fell during San Diego Comic-Con where I saw some of my favorite actors and movie icons like Sly, Arnold, Dolph, Jackie Chan, Michael Biehn, Michael Jai White and Thomas Jane among many others.  I almost ran into my favorite comic book artist of all time, Jim Lee, as we both entered a room for a  panel about himself.  Things were just coming up Milhouse, know what I mean?


In August I attended two firsts, a movie premiere and a taping of The Tonight Show with Jay Leno.  My friend is a die-hard Stallone fan and got a hold of some premiere passes.  We jetted over to the Chinese Theater in Hollywood and got in line with some other action fans, tourists and people who randomly had passes.  I was wearing one of my custom WWJCVDD? shirts while my friend donned an Expendables tee from the first movie.  Maybe it was the power of our combined shirts but a security guard approached us and told us to follow.

We ended up being taken onto the black carpet and placed in the arrival zone across from all of the press.  How cool is that?  We were going to get to see all of the arriving stars and guests which would include new villain, Jean-Claude Van Damme!  A few random actors walked the carpet to little fanfare then a handful of returning Olympians from the London Games showed up, donning their medals and all.  They came over and asked how we got such good seats for the star gazing and were very down to earth.


After a while, things got serious as the main cast was starting to arrive.  I believe Dolph Lundgren was the first and he came over to sign autographs and take photos.  He would soon be followed by Stallone and Arnold who also came over to shake hands and greet the fans.  Mr. Van Damme did a few quick interviews before being whisked down the carpet as the fire Marshall began threatening to close down the parade if it didn't clear out.  While waiting I ended up recognizing Van Damme's assistant and we chatted about the movie he recently directed, insane travel schedules, etc.  Since the media outlets were more interested in talking to the household names, I had the chance to talk to Universal Soldier co-star Tiny Lister about that awesome 90's action flick as well as Ralf Moeller, who also appeared in Unisol and showed up with friend Arnold and his sons.  Moeller seemed genuinely surprised I recognized him but was cool enough to talk action movies with me for a few.


Chuck Norris and Terry Crews were on hand but stuck to the press line and didn't make their way over.  By now the sun had set and the Marshall really wanted the carpet cleared.  The press crews started to pack up as Jason Statham showed up and just hung out talking to fans and not giving a Damme about the movie playing inside.  Unfortunately the theater was packed so we didn't end up seeing the flick that night, we just had to settle for seeing all the stars up close.

Monday, October 14, 2013

Live Goods: Hugh Jackman - One Night Only


Saturday's return to Hollywood was for Hugh Jackman's one man show at the newly rebranded Dolby Theatre (formerly The Kodak Theatre).  Hollywood's nicest and arguably most talented guy has done plenty of stage performances in New York so this first time, one off show to support the MPTF (Motion Picture & Television Fund), on his 45th birthday, was truly a historic event.

Home to the Academy Awards Oscars ceremony, the Dolby Theatre is of course, quite nice.  Which makes the shoddy plumbing a bit of a surprise.  Seriously, during the intermission you could barely wash your hands and the women's restroom was closed on two floors.  Anyways, the show itself was a testament to Jackman's vast skills as an actor, singer, dancer and entertainer.  Accompanied by a full strings and horn section, Hugh regaled the 4,500 audience members (that included heads from Fox and Dreamworks, Tom Cruise and Bryan Singer) with anecdotes and photos of his life coupled with vocal performances and full on musical dance numbers. 



Throughout the show, Jackman was joined by a handful of guests including 30x platinum singer/song writer Richard Marx and a trio from Australia to promote Aborigine rights flown in just for the occasion.  His wife Deborah took the stage to lead the crowd in singing Happy Birthday and each seat had a celebratory cupcake under it.  After the show, Jackman conducted an auction for items like Wolverine props, movie premiere tickets and a personalized Fiat electric car.  All in, the night raised $1.8 million for the MPTF which supports actors during and after their careers.  After all of this, Jackman boarded a plane and headed to China to promote The Wolverine.  I got to sit for 40 minutes trying to get out of Hollywood.  Fucking Hollywood...

I'm guessing this was the last time Hugh hit The Dolby:

(Not so) Live Goods: Gravity at Grauman's Chinese

Saturday was all about Hollywood.  First was a screening of Gravity in IMAX 3D at the newly renovated Grauman's Chinese Theatre.  Holding up to 932 guests, Grauman's is now the largest IMAX theater in the world...for seating capacity.  The screen looked bigger than Fake IMAX aka LieMAX but still wasn't so large as Universal Citywalk where you have to whip and tilt your head to keep up with the action.  Or maybe the seating is just designed better so you don't have to.  Remember kids, there's only a handful of REAL IMAX screens in Southern California, Universal Citywalk, The Bridge at Howard Hughes and Edwards in Irvine.

Gravity has been gobbling up box office moola and has glowing reviews to match.  It's definitely incredibly well made, exciting and intense.  It's nice to see Sandra Bullock still on top of the game 20 years after Demolition Man ("Take this job and shovel it.") and Speed ("Get your ass behind the line.") while Julia Roberts struggles to stay relevant.  George Clooney delivers a typical performance which means he's affable, funny and easy to like.  I kept wondering when he was going to get blown up since this was a Sandy feature.  It definitely makes you want to watch more space movies like Armageddon, Space Cowboys and The Right Stuff.

The 3D was pretty solid with grand vistas of Earth, space, flying debris and first person shots but again, it can't quite be immersive when you can see the edge of the screens and peoples heads in front of you...the sound was the first thing to catch my attention as the sound (or shock) waves rippled the fabric of my pants.

Trailers for sequels to Hunger Games and The Hobbit looked great on this screen though:

Thursday, September 12, 2013

Live Goods: Point Break

From Anthony Hopkins to Hugh Jackman to Daniel Craig, some of today's film best actors began their careers on stage.  For some reason I've never really liked plays too much.  I've seen a few big ones like Cats and Wicked as well as some small ones in black box theaters to support friends and a few in between.  As a film kid in college I crossed paths with the theater department regularly, while some were enjoyable humans many were just loud and obnoxious.  It didn't help that I was forced to see a production of Pirates of Penzance for a class where I couldn't understand a fucking word of the sing song performances.

In exactly one month I'll take in Hugh Jackman's one man show at the Dolby Theater in Hollywood.  To warm up, I attended a small show on Theater Row in West Hollywood.  One that was three years in the planning stages before finally attending for a bachelor party, an adaptation of 1991's Point Break.  Before she broke new ground with The Hurt Locker and Zero Dark Thirty, director/writer Kathryn Bigelow gave us one of the greatest action/buddy/thriller's of the last twenty years.  Rookie FBI Special Agent Johnny Utah (Keanu Reeves) is fresh to Los Angeles and assigned to bank robbery where a band of President mask wearing thieves has hit dozens of establishments and never been caught.  A theory that the Ex-Presidents are a band of surfers sends Utah to the beach where he meets wave and zen master Bohdi (Patrick Swayze, from Road House?!).  Action, chases, extreme sports, meatball subs, Gary Busey, cold pizza, Narco entrapment, random crazy naked lady attacks and bromance ensues.

The stage play version, dubbed Point Break Live! is a continuation of parody performances of Road House and now Terminator where an audience member plays the lead and reads off cue cards.  It's a fun concept with food and drinks available before and during the show so you can make an evening out of it.  The first two rows are subject to being sprayed with water, fake blood and other artificial bodily fluids so they make extra money by selling ponchos.  The performers interact with the audience frequently in kind of an uncomfortable way if you're not expecting it.  I had the impulse of yelling "get your fucking hands off me" but remembered it was just part of the show.  Overall it's a fun night and definitely a memorable experience that only Los Angeles would have thought up.

Here's some of Bigelow's gift for intense kinetic action, just missing some screaming: